The Arts and Crafts of Older Spain, Volume 3 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 3 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
The foregoing extracts show that under the Spanish Moors the manufacture
of textile fabrics attained in mediæval times a very great importance.
It is also certain that during the same period the textile fabrics in
use among the Christian Spaniards were strongly and continually
influenced, and even to a large extent produced, by Spanish Moors,
while, as the Moorish cities fell into the power of the enemy, the
Christian rulers encouraged their newly-sworn Mohammedan lieges to
prosecute this industry with unabated zeal. A privilege is extant which
was granted by Jayme the Conqueror in the year 1273, to a Moor named Ali
and his sons Mohammed and Bocaron, empowering these artificers to
manufacture silk and cloth of gold at Jativa, in the kingdom of
Valencia. The fabrics produced by Mussulman weavers such as these, found
ready purchase with the wealthier classes of the Christian Spaniards.
The dress and other materials thus elaborated possessed a great variety
of names, whose meaning cannot always be determined at the present day.
Among the fabrics most in vogue were those denominated _samit_ (also
_xamed_ or _examitum_), _ciclaton_, _tabis_ or _atabi_, _zarzahan_,
_fustian_ or _fustan_, _cendal_ or _sendat_, _camelote_ (also
_chamelote_ or _xamellot_), _drap imperial_, and _bougran_ (also
_bouckram_, _buckram_), stated by Dr Bock to be derived from Bokhara,
and which was of a quality far superior to the buckram of more modern
times. These Saracenic or semi-Saracenic stuffs were manufactured from
an early period, but modern experts are not agreed as to their
character. Miquel y Badía and some other authorities believe that
_samit_ was a costly material which was sometimes coloured green, and
shot with gold or silver thread. Others believe it to have been a kind
of velvet. In either case it is known to have been used for shrouding
the bodies of the wealthy. _Ciclaton_ was a strong though flexible
material used for robes and also for wall-hangings. _Tabis_ or _atabi_
was a kind of taffeta, and probably consisted, as a general rule, of
silk, though sometimes it was mixed with cotton. _Chamelot_ was an
oriental fabric of rich silk, coloured white, black, or grey. It is
mentioned, together with velvets, taffetas, and _cendal_ or _sendat_
(another silken stuff) in a law passed by the Cortes of Monzón in 1375,
and which is quoted in Capmany's _Memorias_.[1] Fustian is thought to
have been first produced in Egypt. It was woven of thread or cotton, and
was largely used in England from at least as early as the twelfth
century. From about the same time buckram was also popular in northern
countries.
[1] "Perco con los draps d'or é d'argent, é de seda axi brocats d'or é
d'argent con altres é velluts, xamelots, tafetanes, é sendats se
usen molt de vestir en lo dit Principat d'alguna generalitat ne
dret no y sia posat, mes solament vi liners per liura per la
entrada."
Public-domain text, read in full here on John Shaqi.
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