The Arts and Crafts of Older Spain, Volume 3 (of 3)Williams, Leonard
History
The Arts and Crafts of Older Spain, Volume 3 (of 3)
Williams, Leonard
Decorative arts -- Spain -- History
[52] See an article on these tapestries by Señor Lamperez y Romea,
published in No. 55 of the _Boletín de la Sociedad Española de
Excursiones_; and also Nos. 156 and 157 of the same publication,
for an article on the Crown and other Spanish collections, by
Elías Tormo y Monzó.
[Illustration: XXV
FLEMISH TAPESTRY
(_Late 15th Century. Collection of the late Count of Valencia de Don
Juan_)]
The tapestries which belong to the cathedral of Zaragoza number some
sixty or seventy pieces, including a series (fifteenth century)
representing _The Life of Saint John the Baptist_, from designs by Lucas
of Holland. Good tapestries were also the property of Valencia
cathedral, but have been dispersed and sold in recent years. The convent
of the Descalzas Reales at Madrid possesses a set from designs by
Rubens. Ten pieces of this series formerly belonged to the Count-Duke of
Olivares, who sent them to his town of Loeches; four passing
subsequently to the Duke of Westminster's collection. The small though
valuable collection formed by the late Count of Valencia de Don Juan
(Plate xxv.), passed at this nobleman's death to his daughter, Señora de
Osma, who has presented part of it to the Archæological Museum at
Madrid. Another collector resident in Spain, Mons. Mersmann, of Granada,
possesses a series of fine Brussels cloths representing scenes from _Don
Quixote_, by Van den Hecke.
LACE
Although the Spaniards have enjoyed, and still enjoy, a widespread fame
for lace-making, their written records of this craft are unsubstantial.
Originally, perhaps, they borrowed it from the Arabs or Venetians.
Certainly, the earliest Spanish lace was such as is made with a needle,
that is, point, not pillow lace. In this form, _à la aguja_, and in the
sixteenth century, the Spaniards possibly conveyed the secrets of its
manufacture to the Netherlands, receiving from the natives of this
country, in exchange, the art of making lace by means of bobbins,
including the characteristic "Flemish net," or _red flandés_.
Towards the sixteenth century the parts of Spain where lace was
manufactured in the largest quantity were some of the Manchegan towns
and villages, the coast of Finisterre, and nearly the whole of Cataluña.
In La Mancha lace was made, and still is so, at Manzanares, Granatula,
Almagro, and other places. That of Almagro (the celebrated _punto de
Almagro_, resembling the lace of Cataluña), is mentioned by nearly all
the older travellers. In _Don Quixote_, Teresa writes to Sancho Panza
that their daughter Sanchita was engaged in making bobbin-lace at a
daily wage of eight _sueldos_.
[Illustration: XXVI
THE MARCHIONESS OF LA SOLANA
(_By Goya_)]
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