The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
When Etienne Boileau, Provost of Paris in the reign of Louis IX., wrote
in obedience to the legislative designs of the king, his famous “Livre
des Métiers,” to establish the existence of guilds on permanent
foundations, he had scarcely more to do than to transcribe the statutes
of the goldsmiths almost the same as those instituted by St. Eloi, with
the modifications consequent on the new order of things. By the terms of
the ordinances drawn up by Louis, the goldsmiths of Paris were exempt
from the watch, and from all other feudal services; they elected, every
three years, two or three _anciens_ (seniors) “for the protection of
the trade,” and these _anciens_ exercised permanent vigilance over the
works of their colleagues, and over the quality of the gold and silver
material used by them. An apprentice was not admitted as a master until
after ten years’ apprenticeship; and no master could have more than one
apprentice, in addition to those belonging to his own family. The
corporation, so far as concerned the fraternity with respect to works
for charitable and devotional purposes, had a seal (Fig. 116) which
placed it under the patronage of St. Eloi; but, with regard to its
industrial association, it imprinted on manufactured articles a _seing_,
or stamp, which guaranteed the value of the metal. The corporation soon
obtained, from Philip of Valois, a coat-of-arms, which conferred on it a
sort of professional nobility; and acquired, owing to the distinguished
protection extended to it by that king, a position which nevertheless it
did not succeed in preserving in the united constitution of the six
mercantile bodies; for, although it laid claim to the first rank on
account of its antiquity, it was forced, notwithstanding the undeniable
superiority of its works, to be contented with the second, and even to
descend to the third rank.
[Illustration: Fig. 112.--Stamp of Lyons.]
[Illustration: Fig. 113.--Stamp of Chartres.]
[Illustration: Fig. 114.--Stamp of Melun.]
[Illustration: Fig. 116.--Ancient Corporate Seal of the Goldsmiths of
Paris.]
[Illustration: Fig. 115.--Stamp of Orléans.]
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