The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
The goldsmiths, at the time of the compilation of the code of
professions by Etienne Boileau, were already separated, voluntarily or
otherwise, from several trades which had long appeared in their train;
the _cristalliers_, or lapidaries; the gold and silver beaters; the
embroiderers in _orfroi_ (gold-fringe); the _patenôtriers_
(bead-stringers) in precious stones lived under their own regulations;
the _monétaires_ (bullion-dealers) remained under the control of the
king and his mint; the _hanapiers_ (drinking-cup makers), the
_fermailleurs_ (makers of clasps), the pewterers, boxmakers, inferior
artisans and others who worked in common metals, had no longer any
connection with the goldsmiths of Paris. But in the provinces, in towns
where the masters of a trade were insufficient to constitute a community
or fraternity having its chiefs and its own administration, it was
indispensable to reunite under the same banner the trades between which
there was the most agreement, or rather the least contrariety. Thus, in
certain localities in France and the Low Countries, the goldsmiths,
proud as they might be of the nobility of their origin, sometimes found
themselves united as equals with the
[Illustration: Fig. 117.--Arms of the Corporation of Goldsmiths of
Paris, with this device: “Vases Sacrés et Couronnes, voilà notre
Œuvre.”]
pewterers, the mercers, the braziers, and even the grocers; and thus it
came to pass that they combined on their banners of fleurs-de-lis the
proper arms of each of these several trades. Thus, for instance, we see
the banner of the goldsmiths of Castellane (Fig. 118) united with the
retail mercers and tailors--it shows a pair of scissors, scales, and an
ell measure; at Chauny (Fig. 119), a ladder, a hammer, and a vase,
indicate that the goldsmiths had for compeers the pewterers and the
slaters; at Guise (Fig. 120), the association of farriers, coppersmiths,
and locksmiths, is allied with the goldsmiths by a horse-shoe, a mallet,
and a key; the brewers of Harfleur (Fig. 121) quartered in their arms
four barrels between the bars of the cross _gules_ charged with a goblet
of gold, which was the emblem of their associates the goldsmiths; at
Maringues (Fig. 122), the gold cup on a field _gules_ surmounts the
grocer’s candles.
Public-domain text, read in full here on John Shaqi.
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