The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
It is difficult, if not impossible, to determine the exact date of the
invention of watches. But, in truth, we ought perhaps to regard the
watch, especially after the invention of the spiral spring, as only the
last step taken towards a portable form of clock. It is however true,
according to the statements found in Pancirole and Du Verdier by the
authors of the “Encyclopædia of Sciences,” that at the end of the
fifteenth century watches were made no larger than an almond. Even the
names Myrmécides and Carovagius are cited as those of two celebrated
artisans in such work. It was said that the latter made an alarm-watch
which not only sounded the hour required, but even struck a light to
ignite a candle. Besides, we know for certain that, in the time of Louis
XI., there were watches very small yet perfectly manufactured; and it is
proved that, in 1500, at Nuremberg, Peter Hele made them of the form of
an egg, and consequently the watches of that country were long known as
_Nuremberg eggs_.
We learn, moreover, from history that in 1542, a watch which struck the
hours, set in a ring, was offered to Guidobaldo of Rovere; and that in
1575, Parker, Archbishop of Canterbury, bequeathed to his brother
Richard a cane of Indian wood having a watch placed in its head; and,
finally, that Henry VIII. of England wore a very small watch requiring
to be wound up only every eighth day.
It is not inappropriate here to remark that the time kept by these
little machines was not regular until an ingenious workman, whose name
has not come down to us, invented the fusee, a kind of truncated cone;
to the base of this was attached a small piece of catgut which, spirally
rolling itself up to the top, became fastened to the barrel that
enclosed the spring. The advantage of this arrangement is, that owing to
the conical form of the fusee, the traction of the spring acting as it
relaxes on a greater radius of the cone, it results in establishing
equilibrium of power between the first and the last movements of the
spring. Subsequently a clockmaker named Gruet substituted jointed
(_articulées_) chains for catgut; the latter having the great
disadvantage of being hygrometric and varying in tension with the state
of the atmosphere.
The use of watches spread rapidly in France. In the reigns of the
Valois, a large number were made of very diminutive size, to which the
clockmakers gave all sorts of forms, especially those of an acorn, an
almond, a Latin cross, a shell (Figs. 148 to 150). They were engraved,
chased, enamelled; the hand which marked the hour was very frequently of
delicate workmanship, and sometimes ornamented with precious stones.
Some of these watches set in motion symbolic figures, as well as Time,
Apollo, Diana, the Virgin, the Apostles, and the saints.
Public-domain text, read in full here on John Shaqi.
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