The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
While the nobles, jealous and suspicious, sheltered themselves in the
shadow of their donjons built with many strategical contrivances and of
substantial materials; while the large and small towns were surrounded
with deep moats, high walls, impregnable towers, the most primitive
simplicity presided over the construction of private dwellings. Stone
hardly ever, and brick but seldom, figured among the number of the
materials employed. Sawed or squared timbers serving as ribs, mud or
clay filling up the interstices, were all that was at first required for
the erection of houses as small as they were comfortless, and following
each other in irregular lines along the narrow streets. The beams of
the corbels, it is true, began to be adorned with carvings and
paintings, the façades with panes (glass) of different colours; but we
must reach the last half of the fifteenth century before we see the
resources of architecture applied to the erection and ornamentation of
private houses. Moreover, faith was already growing weak; and no longer
was it possible to direct all the resources of an entire province to the
honour of the Deity by the erection of a church; the use of gunpowder,
by revolutionising the art of war, came to lessen, if it did not
annihilate, the vast strength of walls; the decline of feudalism itself
had commenced; and, lastly, the enfranchisement of corporations gave
rise to a perfectly new order of individuals who took their place in
history. We must refer to this period the house of Jacques Cœur,
Bourges; the Hôtel de Sens, Paris (Fig. 322); the Palais de Justice,
Rouen; and those town-halls in which the belfry was then considered as a
sort of palladium, in whose shade the sacred rights of the community
sheltered themselves. It is in our (French) northern towns--St. Quentin,
Arras, Noyon; and in the ancient cities of Belgium--Brussels (Fig. 323),
Louvain, Ypres, that these edifices assume the most sumptuous character.
[Illustration: Fig. 321.--Gate of St. John, with Drawbridge, Provins.
(Fourteenth Century.)]
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