The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
[Illustration: Fig. 393.--Fac-simile of the fifth Page of the first
Xylographic Edition of the “Ars Moriendi,” representing the Sinner on
his Death-bed surrounded by his Family. Two Demons are whispering into
his ear, “Think of thy treasure,” and “Distribute it to thy friends.”]
But while the secret was so scrupulously maintained by the first Dutch
printer and his partners, a lawsuit was brought before the superior
court of Strasbourg which, though the motives for it were apparently but
of private interest, was nevertheless to give the public the key to the
mysterious trade of the typographer. This lawsuit,--the curious
documents relating to which were found only in 1760, in an old tower at
Strasbourg,--was brought against John Gensfleisch, called Gutenberg (who
was born at Mayence, but was exiled from his native town during the
political troubles, and had settled at Strasbourg since 1420), by George
and Nicholas Dritzehen, who, as heirs of the deceased Andrew Dritzehen,
their brother, and formerly Gutenberg’s partner, desired to be admitted
as his representatives into an association of whose object they were
ignorant, but from which they no doubt knew their brother expected to
derive some beneficial results. It was, in short, printing itself which
was on its trial at Strasbourg towards the end of the year 1439; that
is, more than fourteen years before the period at which printing is
known to have been first employed in Mayence.
Here is a summary, as we find them in the documents relating to this
lawsuit, of the facts stated before the judge. Gutenberg, an ingenious
but a poor man, possessed _divers secrets_ for becoming rich. Andrew
Dritzehen came to him with a request that he would teach him _many
arts_. Gutenberg thereupon initiated him into the art of _polishing
stones_, and Andrew “derived great profit from this secret.”
Subsequently, with the object of carrying out _another art_ during the
pilgrimage of Aix-la-Chapelle,[60] Gutenberg agreed with Hans Riffen,
mayor of Lichtenau, to form a company, which Andrew Dritzehen and a man
named Andrew Heilman desired to join. Gutenberg consented to this on
condition that they would together purchase of him the right to a third
of the profits, for a sum of 160 florins, payable on the day of the
contract, and 80 florins payable at a later date. The agreement being
made, he taught them the _art_ which they were to exercise at the proper
period in Aix-la-Chapelle; but the pilgrimage was postponed to the
following year, and the partners required of Gutenberg that he should
not conceal from them any of the _arts and inventions_ of which he was
cognisant. New stipulations were entered upon whereby the partners
pledged themselves to pay an additional sum, and in which it was stated
that the _art_ should be carried on for the benefit of the four
partners during the space of five years; and that, in the event of one
of them dying, _all the implements of the art, and all the works already
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