The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
Taught by the disastrous defeat of Agincourt,--where ten thousand men,
of whom eight thousand were of the nobility, had fallen, owing to the
precision and the celerity of the fire of the English archers,--Charles
VII. instituted in France the _franc archer_ (Fig. 58), who wore the
_salade_ and the jacket or _brigandine_, and carried the dagger, the
sword, the bow, the quiver or crossbow _garnie_. These archers were
exempt from all taxes or imposts; their equipments were declared not
distrainable for debts, and during war they received pay at the rate of
four livres a month.
The _salade_, a part of armour which has remained particularly
celebrated, and the name of which has been applied subsequently to
helmets of divers forms, is pre-eminently the helmet of the epoch of
Charles VII. At first it was a head-dress for war, composed of a simple
cap (_timbre_), that covered the top of the head, with a pendent piece
of metal of greater or less length at the back, which sometimes was made
for protecting the neck, and
[Illustration: Fig. 58.--Franc Archers (Fifteenth Century), from the
Painted Hangings of the Town of Rheims.]
sometimes to guard a portion of the shoulders. Towards the end of the
fifteenth century there was added to the salade a small vizor, that was
gradually lengthened downwards to near the upper lip, and in which a
narrow opening was then made for the sight. In the reign of Louis XII.
the salade received a chin-piece, the lower part of which was a
_gorget_, that surrounded and protected the neck. The top of the cuirass
had a cord, to which was attached the salade; and this helmet, so
different to the primitive salade, continued to bear the same name (Fig.
59).
[Illustration: Fig. 59.--Knights in complete Armour, with the _Salade_.
(End of Fifteenth Century.) A Single Combat, taken from “The Triumph of
Maximilian,” by Burgmayer, after a drawing by Albert Dürer.]
The _brigandine_, recalling the early armour abandoned for the coat of
mail, was composed of small plates of steel or iron arranged on a strong
piece of leather, and stitched or fixed with wire, in the form of the
scales of a fish. A decree of Peter II., Duke of Brittany, issued in
1450, ordered the nobles to equip themselves as archers, or in
brigandine, if they knew how to use arrows; but otherwise, to be
provided with _guisarmes_, with good salades, and leg-armour; each noble
was to be attended by one _coustillier_, and to have two good horses.
The _guisarme_ was a sort of two-edged and pointed javelin. The
_coustillier_ was a foot-soldier, or a horseman, whose duty it was to
act as a servant to the nobleman, and to carry the _coustille_, a long,
slender sword, triangular or square, apparently resembling the foil in
our fencing-rooms.
[Illustration: Fig. 60.--Armour ornamented with Lions, supposed to be
that of Louis XII. (Museum of Artillery, Paris.)]
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