The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
This last-named term, _bâtons à feu_, like that of _cannon_, existed
before the invention of gunpowder. As swords and lances had often been
designated under the generic name of _bâtons_, it followed that the name
which implied arms in general should also be applied to the earliest
portable firearms. In ancient royal ordinances we even see the term
_gros bâtons_ used to designate large pieces of artillery.
[Illustration: Fig. 66.--Hand Cannon (or _Bâton à feu_), taken from a
piece of Tapestry belonging to the Church of Notre Dame de Nantilly,
Saumur.]
According to M. de Saulcy, the most important improvement ever made in
artillery is certainly that which consisted in placing a gun with
trunnions on a carriage _à flasques_--upright beams of wood, between
which the gun can oscillate, and united by cross-pieces; this carriage
was mounted on wheels, and admitted of the gun being inclined by the
simple use of a wedge of wood placed under the breech. But, strangely
enough, it is most difficult to state precisely the date of this
improvement. Nevertheless, circumstances tend to the belief that it was
between 1476 and 1494--that is, during the reigns of Louis XI. and of
Charles VIII.--that they succeeded in making pieces of all calibres
carrying iron shot, and also in solidly fixing the trunnions, which not
only supported the weight, but also resisted the recoil of the cannon.
The carriages for these guns were mounted on wheels. From this period
the art of fortifying towns underwent a complete revolution, which
suddenly changed the whole system.
When, in 1494, Charles VIII. entered Italy to conquer the kingdom of
Naples, the French artillery produced universal admiration. The Italians
had only iron guns, drawn by bullocks in rear of the army, and more for
appearance than for use. After the first discharge it was some hours
before the gun was ready for a second. The French had lighter cannon of
bronze, drawn by horses, and moved with so much order that their
transport hardly delayed the march of the army; they planted their
batteries with incredible promptitude, considering the period, and the
rounds were as quickly delivered as they were well aimed. Cotemporaneous
Italian writers say that the French used almost exclusively iron shot,
and that the guns, both of large and small calibre, were admirably
balanced on their carriages.
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