The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
The Chevalier Bayard, while yet page to the Duke of Savoy, and only
seventeen years of age, performed, as his historian relates, wonders in
the meadows of Ainay, at Lyons, before King Charles VIII., “in leaping
on his charger,” and by his management of it creating a favourable
impression of his merits. This will suffice to show the estimation in
which horsemanship was held. No one was regarded as a valiant knight
until he had proved his prowess in jousts and tournaments (Fig. 74) in
the rank of squire. Although his functions were essentially those of
serving, a squire, who ranked higher than a page, was to the knight
rather an auxiliary and a companion than a servant. It was his duty to
carry the arms of the knight, to take charge of his table, his house,
and his horses. On the field of battle he remained in his rear, ready to
defend him, to lift him up if he were overthrown, and to provide him,
when necessary, with another horse or other arms. He guarded the
prisoners captured by the knight, and occasionally fought for him at his
side.
The principal sign distinguishing knights from squires consisted in the
material of which their spurs were made--of gold for the former, of
silver for the latter. It is well known that, at the disastrous battle
of Courtray, the Flemings collected after the action, from the slain,
four thousand pairs of gold spurs; consequently, four thousand knights
of the army of Philip the Fair had fallen.
[Illustration: Fig. 74.--A Knight entering the Lists. (From a Miniature
in the “Tournois du Roi René.”)]
In order to _win his spurs_ (of gold)--an expression become
proverbial--it was indispensable that one who aspired to the honour
should perform some valiant deed, proving him worthy of being “dubbed,”
or armed as a knight. The ceremony of admission commenced by presenting
the spurs; and whosoever conferred the order of chivalry, were he king
or prince, condescended to put on and fasten the spurs for the
recipient. In pursuance of the same principle, when a knight, having
committed a fault or any cowardly act, had incurred blame or correction,
it was by deprivation of, or by changing his spurs, that his degradation
commenced. For a slight offence a herald substituted silver spurs for
those of gold, which lowered a knight to the grade of squire. But in a
case of “forfeiture,” as it was termed, an executioner or a cook cut off
the straps of his spurs, or they were struck off on a dunghill with an
axe: infamy was the future portion of him who had been subjected to that
public disgrace.
The privilege of wearing spurs was regarded as a mark of independence
and authority; so that when a noble tendered faith and homage to his
sovereign, he was obliged to take off his spurs in token of vassalage.
In 816, ere chivalry had been instituted, an assembly of lords and
bishops prohibited ecclesiastics from adopting the profane fashion of
wearing spurs then prevailing among the higher classes of the clergy.
Public-domain text, read in full here on John Shaqi.
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