The Arts in the Middle Ages and at the Period of the RenaissanceJacob, P. L.
History
The Arts in the Middle Ages and at the Period of the Renaissance
Jacob, P. L.
Art, Medieval; Art, Renaissance; Middle Ages
The use of the spur appears to date from the most ancient times. The
origin of the word has been much disputed. From the time of Louis le
Débonnaire it was called _spuors_, which has become _sporen_ in Germany,
_sperane_ in Italian, _spur_ in English, _éperon_ in French. The Latins
called it _calcar_ (which originally signified cock’s spur), doubtless
from the form first given to the spur. That form has strangely varied
during centuries. The oldest known shape is that of the spur found in
the tomb of Queen Brunehaut, who died in 613, and which is simply like a
skewer. This seems to have long continued to be the form; but, from the
commencement of the thirteenth to the end of the sixteenth century, the
spur is seen in the form of a rose, or of a star with a turning rowel,
and was mostly fashioned in a very rich and delicate manner. At the
period when horses were clad in steel or leather, the spurs were
necessarily very long, in order to reach the animal’s flanks (Figs. 75
and 76). The spurs of Godfrey of Bouillon, which have been preserved
(their authenticity is more or less questionable), are in that style. In
the reign of Charles VII. the young nobles wore, rather for show than
for use, spurs the rowel of which was as large as the hand, and fixed at
the end of a metal stem half a foot long.
If, therefore, from time immemorial every mounted horse “felt the spur,”
there was at least a period when every sort of spur could not be
indiscriminately applied to the flanks of each individual of the equine
race. “There are,” says Brunetto Latini, a writer of the thirteenth
century, in his “Treasury of all Things”--a sort of encyclopædia of the
age--“there are horses of several kinds: chargers, or tall horses, for
the combat, whence the expression, ‘mounting the high horse;’ others,
for gentle exercise, use palfreys, which were also called amblers and
hackneys; others employ pack-horses, _courtants_ (cropped horses), to
carry a load (_somme_).” _Somme_ here signifies a burden, and this,
which we now call baggage, consisted of spare arms and hauberk, which a
knight was careful to take with him when he went to the wars. Mares and
_bât_-horses (horses carrying the _bât_, or load) were reserved for
agriculture and other field-purposes; and it was clearly on that account
that a knight was not allowed to ride them. To make a knight ride upon a
mare was, like the loss of his spurs, one of the most degrading
punishments that could be inflicted on him, and thenceforth “any one who
regarded his own honour would no more have touched that disgraced knight
than a shaven idiot (leper).”
[Illustration: Fig. 75.--German Spur.]
[Illustration: Fig. 76.--Italian Spur.]
[Illustration: Fig. 77.--A Knight armed and mounted for War. (Museum of
Artillery, Paris.)]
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