The Arts of Persia & Other Countries of IslamKevorkian, Hagop K.
Islamic
The Arts of Persia & Other Countries of Islam
Kevorkian, Hagop K.
Art objects -- Exhibitions; Art, Iranian; Art, Islamic; Illumination of books and manuscripts -- Iran
"Night drawing on, all the pride of SPAHAUN was met in the CHAUR BAUG
and grandees were airing themselves, prancing about with their
numerous trains, striving to outdo each other in pomp and
generosity."--DR. FRYER, recorded A.D. 1677.
CHARDIN, who was at Ispahan at the time of SHAH SULEIMAN'S reign
(1667-1694), records in his "VOYAGES", Vol. VIII, page 43:
"When one walks in these places expressly made for the delights of
love and when one passes through all these cabinets and niches, one's
heart is melted to such an extent that to speak candidly, one always
leaves with a very ill grace. The climate without doubt contributes
much towards exciting this amorous disposition, but assuredly these
places, although in some respects little more than cardboard castles,
are nevertheless more smiling and agreeable than our most sumptuous
palaces."
LORD CURZON says (History of Persia, Vol. II, page 37) that "Even
CHARDIN, enthusiastic but seldom sentimental, was inspired to an
unwonted outburst by the charms of HASHT BAHISHT".
[Illustration: VIEW OF CHAHAR BAGH (FOUR GARDENS) AND HASHT BAHISHT
(PAVILION OF EIGHT PARADISES) AT ISPAHAN. CONSTRUCTED BY SHAH SULEIMAN
SAFAWI ABOUT A.D. 1670. REPRODUCTION FROM "LA PERSE, LA CHALDEE ET LA
SUSIANE" (1887) BY DIEULAFOY]
PAIR OF DOORS FROM THE PAVILION OF CHAHAL SITUN (Hall of Forty
Pillars) built by SHAH ABBAS the Great (A.D. 1588-1629).
These are decorated with representations of scenes from the Royal
Court of the great Shah, painted minutely by Court artists.
"They transport us straight to the Court of the lordly ABBAS and his
predecessors or successors on the throne.... We see the King engaged
at some royal festivity enjoying the pleasure of the Bowl."--LORD
CURZON, History of Persia, Vol. II, page 34.
KER PORTER, who saw the Palace of Chahal Situn in its perfect
condition, records: "The exhaustless profusion of its splendid
materials reflected not merely their own golden lights on each other,
but all the variegated colours of the Garden, so that the whole
surface seemed formed of polished silver and mother of pearl set with
precious stones."
LORD CURZON, who visited it soon after its last repair in 1891, quotes
KER PORTER and by way of contrast says: "The bulk of this superb
decoration which still remains in the THRONE ROOM behind, to point
bitter contrast, had on the walls of the LOGGIA been ruthlessly
obliterated by the brush of the painter, who had left in its place
pink wash; had I caught the Pagan, I would gladly have suffocated him
in a barrel of his own paint."--History of Persia, Vol. II, page 33.
[Illustration: PAIR OF DOORS FROM THE PAVILION OF CHAHAL SITUN (HALL
OF FORTY PILLARS) BUILT BY SHAH ABBAS THE GREAT (A.D. 1588-1629)]
[Illustration: RIZA ABBASI, FAVORED COURT ARTIST, PORTRAYS EUROPEANS
AT THE COURT OF SHAH ABBAS THE GREAT (A.D. 1588-1629)]
Public-domain text, read in full here on John Shaqi.
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