The animal entail is one of the greatest mysteries of our mortal life. The soul in its moments of illumination feels that it is related to some person like itself, but far higher, and aspires to it. Sir Joshua Reynolds' figure of "Faith" in the famous window in the chapel of New College, Oxford, suggests the attitude of the newly awakened soul. In freshness and beauty it is turning toward the light. But in human experience something occurs which Sir Joshua has not tried to depict. A clammy hand reaches up from the deeps out of which rise suffocating clouds, and that pure spirit finds itself enveloped in darkness and fastened to the earth. The humiliation is complete. What has occurred? Only what has happened again and again; and what will continue to happen for no one knows how long. The animal has gotten the better of the spirit. The soul has sinned--for sin is little, if anything, but a spirit allowing itself to return to the fascinations of the animal conditions out of which it has been evolved, and from which it ought to have escaped forever. The animal entail is the chief hindrance to the aspiring spirit. The animal lives by his senses. He is content when they are satisfied. It can hardly be said that animals are ever happy. Happiness is a state higher than contentment. Paul said he had learned in whatsoever state he was to be content, but even he never said that in all states he had learned to be happy. Animals are contented when their senses are gratified and they are savage when their senses are clamorous. Lions and bears are dangerous when they are hungry, and cruel when other desires are obstructed. Whatever the theory of evolution, from the beginning of its upward movement, the nearest, most potent, and most dangerous hindrance to the soul is this entail of animalism, which it can never escape but which it must some time conquer. The spirit and the body seem to be in endless antagonism, and yet the body itself will become the fair servant of the soul when once the question of its supremacy has been determined. The tendency to revert to animalism has been vividly depicted by the poets, and the clamorous and insistent nature of the passions portrayed by the artists. The liquor in the enchanted cup of Comus may be called "the wine of the senses." Its effect is thus described by Milton. Comus offers ... "To every weary traveler His orient liquor in a crystal glass, To quench the drought of Phoebus; which, as they taste (For most do taste through fond, intemperate thirst) Soon as the potion works, their human countenance, The express resemblance of the gods, is changed Into some brutish form of wolf or bear, Or ounce or tiger, hog or bearded goat."