But with this sense of the nearness of death, came another still more
fearful to the mind. There was mingled with the thoughts of the dead,
another of the living, which was even more horrible to the mind. A
great shadow hovered over the place. It was not the shadow of the
angel, which had descended, with its dark wings; it was not the unseen
messenger of God; it was not of the horror that walked in darkness, or
the destruction that wasted at noon of night, but a horrible suspicion
had seized the people; the horrid selfishness of men haunted the waking
thoughts as terrible death had the sleep of night. Cruelty was ascribed
to men, worse, even, than the awful fall and death.
That burning of the bodies was ascribed to design. The impression was
a general one. Indignation was mingled with horror; that retiring to
homes, while the bodies burned, was not the result of indifference. Few
were so heartless as to care more for sleep than for the safety of the
dead. Many could not sleep that night, but, somehow, the impression had
taken possession of the people that the burning was designed.
As the citizens returned to their homes late at night, they had talked
their suspicion, and grown sick at heart. The firemen themselves had
laid the blame somewhere else than upon their chief. It seemed too
inhuman, and yet it was believed. The station agent was known and
trusted. His character was well established. His humane and kindly
heart was not impeached. His Christian life and courtesy were well
known to all. But the feeling was universal, and the suspicion strong.
The control of the company over the cars, and all the contents, was
taken for granted. The responsibility of common carriers was known,
and no one could understand why orders should be given to withhold the
water, except it was to destroy the traces of those who were on the
train. For the time this was believed. The sentiment was so common
that even an employee of the road was heard to say that “ashes did not
count,” but bodies did.
Public-domain text, read in full here on John Shaqi.
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