He saw her again! For the first few moments she did not seem
so beautiful as he had pictured her. So long had he laboured
and lain awake over the first image he had carried away of her
that the impression had become blurred, and the type that had
originally imprinted it on his heart no longer corresponded with
the result created by his mind's unconscious working. Then he
was disconcerted to see neither the white _stola_ and saffron
mantle nor the bracelets and fillets that had seemed to him part
and parcel of the beauty they adorned. Now she wore the turban
of Roxana and the wide muslin trousers caught in at the ankle.
It was only by degrees he could grow reconciled to the change.
He realized that her arms were a trifle thin, and that a tooth
stood back behind the rest in the row of pearls. But in the end
her very defects pleased him, because they were hers, and he loved
her the better for them. This time, by the law of change which is
of the very essence of life, and by virtue of the imperfection
that characterizes all living creatures, she made a physical
appeal to his senses and called up the idea of a human being of
flesh and blood, a creature you could cling to and make one with
yourself. His admiration was lost in a flood of tenderness and
infinite sadness--and he burst into tears.
The next day he conceived a great desire to see her as she was
in everyday life, dressed for the streets. It would be a sort of
intimacy merely to pass her on the pavement. One evening, when she
was playing, he watched for her at the stage-door, through which
emerged one after the other scene-shifters, actors, constables,
firemen, dressers, and actresses. At last she appeared, muffled
in her fur cloak, a bouquet in her hand, tall and pale--so pale
in the dusk her face seemed to him as if illumined by an inward
light. She stood waiting on the doorstep till a carriage was
called.
He clasped both hands on his breast and thought he was going to
die.
When he found himself alone on the deserted _Quai_, he plucked
a leaf from the overhanging bough of a plane tree. Then, setting
his elbows on the parapet of the bridge, he tossed the leaf into
the river and watched it borne away by the current of the stream
that lay silvery in the moonlight, spangled with quivering lights.
He watched it till he could see it no longer. Was it not the
emblem of himself? He, too, was abandoning himself to the waters
of a passion that shone bright and which he thought profound.
X
Public-domain text, read in full here on John Shaqi.
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