The Astonishing Adventure of Jane SmithWentworth, Patricia
General
The Astonishing Adventure of Jane Smith
Wentworth, Patricia
Adventure stories; Cousins -- Fiction; Detective and mystery stories
“Propaganda is dead,” said Number Four. He looked over his shoulder with
dislike at Number Two, and mopped his brow with a dirty handkerchief.
Molloy, just opposite him, turned a little and laughed.
“You bring the cold with you, Number Two,” he said. “Here’s Number Four
as hot as his own speeches. You’ve got all the fire, and the door’s
shut, and a screen in front of it, so what more do you want?”
“Propaganda is dead,” repeated Number Four. He stood with his back to
the door. Only the top panel of it showed above the black screen which
had been drawn across it. The screen had four leaves. On each leaf a
golden stork on one leg contemplated a golden water-lily. The light
shone on the golden birds and the golden flowers.
Number Four thrust his handkerchief back into his pocket, and rapped
sharply on the table. It was covered with a red cloth which had seen
better days. Number Fourteen had upset the ink only a few moments
before, and a greenish-purple patch was still spreading amidst the
crimson.
Belcovitch leaned forward, both his hands on the table, his raucous
voice brought to a dead level. “Instead of propaganda, what?” he said.
“Instead of building here, teaching there, what? That is what I’m here
to-night to tell you. To-morrow you all go to your own places, each to
his post; but before you go, I am authorised to prepare you for what is
to come. It will not be to-day, but it may be to-morrow, or it may not
be for many to-morrows yet. One final stage is lacking, but in
essentials The Process is complete. Propaganda is dead, because we no
longer need propaganda. Comrades”—his voice sank a little—“there are
enough of us. Every city in the world has its quota. What The Process
will effect”—he paused, looked round, caught Number Two’s slightly
sardonic expression, and struck the table with his open hand—“what The
Process will effect is this,” he cried—“in one word, Annihilation of the
whole human race! Only our organisation will be left.”
“Now what I am instructed to tell you is this,”—he spoke evenly,
swiftly, statement following statement—never had the attention of an
audience been so fully his; and then suddenly the thread was broken.
With a loud grating sound, Number Fifteen, sitting next to Molloy,
pushed his chair back, and sprang to his feet.
“The door!” he shouted. “The door!” Every man in the room looked where
Fifteen was looking. Above the water-lilies and the storks, where the
top panel of the door had shown, there was a dark, empty space. The door
was open.
Number Four whipped out a revolver and dragged the screen away. The door
was open, and in the doorway stood a girl in her nightdress. Her hands
were stretched out, as if she were feeling her way. Her eyes, of a
greenish hazel in colour, were widely opened, and had a dazed
expression. Her brown hair hung in two neat plaits. Her feet were bare.
Molloy pushed forward quickly.
Public-domain text, read in full here on John Shaqi.
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