The Athelings; or, the Three Gifts. CompleteOliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Complete
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
This big boy was about as far from being handsome as any ordinary
imagination could conceive: his large loose limbs, his big features, his
swarthy complexion, though they were rather uglier in their present
development than they were likely to be when their possessor was
full-grown and a man, could never, by any chance, gain him the moderate
credit of good looks. He was not handsome emphatically, and yet there
never was a more expressive face: that great furrowed brow of his went
up in ripples and waves of laughter when the young gentleman was so
minded, and descended in rolls of cloud when there was occasion for such
a change. His mouth was not a pretty mouth: the soft curve of Cupid’s
bow, the proud Napoleonic curl, were as different as you could suppose
from the indomitable and graceless upper-lip of Charlie Atheling. Yet
when that obstinate feature came down in fixed and steady
impenetrability, a more emphatic expression never sat on the haughtiest
curve of Greece. He was a tolerably good boy, but he had his foible.
Charlie, we are grieved to say, was obstinate--marvellously obstinate,
unpersuadable, and beyond the reach of reasoning. If anything could have
made this propensity justifiable--as nothing could possibly make it more
provoking--it was, that the big boy was very often in the right. Time
after time, by force of circumstances, everybody else was driven to give
in to him: whether it really was by means of astute and secret
calculation of all the chances of the question, nobody could tell; but
every one knew how often Charlie’s opinion was confirmed by the course
of events, and how very seldom his odd penetration was deceived. This,
as a natural consequence, made everybody very hot and very resentful who
happened to disagree with Charlie, and caused a great amount of
jubilation and triumph in the house on those occasions, unfrequent as
they were, when his boyish infallibility was proved in the wrong.
Yet Charlie was not clever. The household could come to no satisfactory
conclusion upon this subject. He did not get on with his moderate
studies either quicker or better than any ordinary boy of his years. He
had no special turn for literature either, though he did not disdain
_Peter Simple_ and _Midshipman Easy_. These renowned productions of
genius held the highest place at present in that remote corner of
Charlie’s interest which was reserved for the fine arts; but we are
obliged to confess that this big boy had wonderfully bad taste in
general, and could not at all appreciate the higher excellences of art.
Besides all this, no inducement whatever could tempt Charlie to the
writing of the briefest letter, or to any exercise of his powers of
composition, if any such powers belonged to him. No, he could not be
clever--and yet----
Public-domain text, read in full here on John Shaqi.
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