The Athelings; or, the Three Gifts. Vol. 1/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 1/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
It was made into a parcel, duly packed and tied up; not in a delicate
wrapper, or with pretty ribbons, as perhaps the affectionate regard of
Agnes might have suggested, but in the commonest and most matter-of-fact
parcel imaginable. But by that time it began to be debated whether
Charlie, after all, was a sufficiently dignified messenger. He was only
a boy--that was not to be disputed; and Mrs Atheling did not think him
at all remarkable for his “manners,” and Papa doubted whether he was
able to manage a matter of business. But, then, who could go?--not the
girls certainly, and not their mother, who was somewhat timid out of her
own house. Mr Atheling could not leave his office; and really, after all
their objections, there was nobody but Charlie, unless it was Mr Foggo,
whom Agnes would by no means consent to employ. So they brushed their
big boy, as carefully as Moses Primrose was brushed before he went to
the fair, and gave him strict injunctions to look as grave, as
sensible, and as _old_ as possible. All these commands Charlie received
with perfect coolness, hoisting his parcel under his arm, and remaining
entirely unmoved by the excitement around him. “_I_ know well
enough--don’t be afraid,” said Charlie; and he strode off like a young
ogre, carrying Agnes’s fortune under his arm. They all went to the
window to look after him with some alarm and some hope; but though they
were troubled for his youth, his abruptness, and his want of “manners,”
there was exhilaration in the steady ring of Charlie’s manful foot, and
his own entire and undoubting confidence. On he went, a boyish giant, to
throw down that slender gage and challenge of the young genius to all
the world. Meanwhile they returned to their private occupations, this
little group of women, excited, doubtful, much expecting, marvelling
over and over again what Mr Burlington would say. Such an eminence of
lofty criticism and censorship these good people recognised in the
position of Mr Burlington! He seemed to hold in his hands the universal
key which opened everything: fame, honour, and reward, at that moment,
appeared to these simple minds to be mere vassals of his pleasure; and
all the balance of the future, as Agnes fancied, lay in the doubtful
chance whether he was propitious or unpropitious. Simple imaginations!
Mr Burlington, at that moment taking off his top-coat, and placing his
easy-chair where no draught could reach it, was about as innocent of
literature as Charlie Atheling himself.
Public-domain text, read in full here on John Shaqi.
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