The Athelings; or, the Three Gifts. Vol. 1/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 1/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
“I’ve been thinking,” said Charlie Atheling slowly. Having made this
preface, the big boy paused: it was his manner of opening an important
subject, to which the greater part of his cogitations were directed. His
sisters came close to him immediately, half-embracing this great fellow
in their united arms, and waiting for his communication. It was the
twilight of an April evening, soft and calm. There were no stars in the
sky--no sky even, except an occasional break of clear deep heavenly blue
through the shadowy misty shapes of clouds, crowding upon each other
over the whole arch of heaven. The long boughs of the lilac-bushes
rustled in the night wind with all their young soft leaves--the prim
outline of the poplar was ruffled with brown buds, and low on the dark
soil at its feet was a faint golden lustre of primroses. Everything was
as still--not as death, for its deadly calm never exists in nature; but
as life, breathing, hushing, sleeping in that sweet season, when the
grass is growing and the bud unfolding, all the night and all the day.
Even here, in this suburban garden, with the great Babel muffling its
voices faintly in the far distance, you could hear, if you listened,
that secret rustle of growth and renewing which belongs to the sweet
spring. Even here, in this colourless soft light, you could see the
earth opening her unwearied bosom, with a passive grateful sweetness, to
the inspiring touch of heaven. The brown soil was moist with April
showers, and the young leaves glistened faintly with blobs of dew. Very
different from the noonday hope was this hope of twilight; but not less
hopeful in its silent operations, its sweet sighs, its soft tears, and
the heart that stirred within it, in the dark, like a startled bird.
These three young figures, closely grouped together, which you could see
only in outline against the faint horizon and the misty sky, were as
good a human rendering as could be made of the unexpressed sentiment of
the season and the night--they too were growing, with a sweet
involuntary progression, up to their life, and to their fate. They stood
upon the threshold of the world innocent adventurers, fearing no evil;
and it was hard to believe that these hopeful neophytes could ever be
made into toil-worn, care-hardened people of the world by any sum of
hardships or of years.
“I’ve been thinking;”--all this time Charlie Atheling had added nothing
to his first remarkable statement, and we are compelled to admit that
the conclusion which he now gave forth did not seem to justify the
solemnity of the delivery--“yes, I’ve made up my mind; I’ll go to old
Foggo and the law.”
“And why, Charlie, why?”
Charlie was not much given to rendering a reason.
Public-domain text, read in full here on John Shaqi.
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