The Athelings; or, the Three Gifts. Vol. 1/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 1/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
Yes, of course, you have found it out: everybody finds it out at the
first glance; everybody returns to it with unfailing criticism. To tell
the truth, the house is a very cheap house, being so large a one. Had it
been in good order, the Athelings could never have pretended to such a
“desirable family residence” as this house in Bellevue; and so you
perceive this room has been papered by Charlie and the girls and Mrs
Atheling. It is a very pretty paper, and was a great bargain; but
unfortunately it is not matched--one-half of the pattern, in two or
three places, is hopelessly divorced from the other half. They were very
zealous, these amateur workpeople, but they were not born paperhangers,
and, with the best intentions in the world, have drawn the walls awry.
At the time Mrs Atheling was extremely mortified, and Agnes overcome
with humiliation; but Charlie and Marian thought it very good fun; Papa
burst into shouts of laughter; Bell and Beau chorused lustily, and at
length even the unfortunate managers of the work forgave themselves. It
never was altered, because a new paper is an important consideration
where so many new frocks, coats, and bonnets are perpetually wanting:
everybody became accustomed to it; it was an unfailing source of family
witticism; and Mrs Atheling came to find so much relaxation from her
other cares in the constant mental effort to piece together the
disjointed pattern, that even to her there was consolation in this dire
and lamentable failure. Few strangers came into the family-room, but
every visitor who by chance entered it, with true human perversity
turned his eyes from the comfort and neatness of the apartment, and from
the bright faces of its occupants, to note the flowers and arabesques of
the pretty paper, wandering all astray over this unfortunate wall.
Public-domain text, read in full here on John Shaqi.
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