The Athelings; or, the Three Gifts. Vol. 1/3 — John Shaqi
The Athelings; or, the Three Gifts. Vol. 1/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 1/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
This was but indifferent consolation, but it brought Charlie to the
table to twist the unfortunate ribbon, and let loose his opinion. “They
ought to wear wide-awakes. That’s what they ought to have,” said
Charlie. “Who cares for all that trumpery? not old Foggo, I’m sure, nor
Miss Willsie; and they are all the people we ever see.”
“Hold your peace, Charlie,” said Mrs Atheling, “and don’t say old Foggo,
you rude boy. He is the best friend you have, and a real gentleman; and
what would your papa do with such a set of children about him, if Mr
Foggo did not drop in now and then for some sensible conversation. It
will be a long time before you try to make yourself company for papa.”
“Foggo is not so philanthropical, Mary,” said Papa, for the first time
interposing; “he has an eye to something else than sensible
conversation. However, be quiet and sit down, you set of children, and
let us have some tea.”
The ribbons accordingly were lifted away, and placed in a heap upon a
much-used work-table which stood in the window. The kettle sang by the
fire. The tea was made. Into two small chairs of wickerwork, raised upon
high stilts to reach the table, were hoisted Bell and Beau. The talk of
these small interlocutors had all this time been incessant, but
untranslatable. It was the unanimous opinion of the family Atheling that
you could “make out every word” spoken by these little personages, and
that they were quite remarkable in their intelligibility; yet there were
difficulties in the way, and everybody had not leisure for the close
study of this peculiar language, nor the abstract attention necessary
for a proper comprehension of all its happy sayings. So Bell and Beau,
to the general public, were but a merry little chorus to the family
drama, interrupting nothing, and being interrupted by nobody. Like
crickets and singing-birds, and all musical creatures, their happy din
grew louder as the conversation rose; but there was not one member of
this loving circle who objected to have his voice drowned in the
jubilant uproar of those sweet small voices, the unceasing music of this
happy house.
After tea, it was Marian’s “turn,” as it appeared, to put the little
orchestra to bed. It was well for the little cheeks that they were made
of a more elastic material than those saintly shrines and reliquaries
which pious pilgrims wore away with kissing; and Charlie, mounting one
upon each shoulder, carried the small couple up-stairs. It was touching
to see the universal submission to these infants: the house had been
very sad before they came, and these twin blossoms had ushered into a
second summer the bereaved and heavy household life.
Public-domain text, read in full here on John Shaqi.
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