The Athelings; or, the Three Gifts. Vol. 2/3Oliphant, Mrs. (Margaret)
General
The Athelings; or, the Three Gifts. Vol. 2/3
Oliphant, Mrs. (Margaret)
England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Siblings -- Fiction
Rachel’s room brightened under the charm of their presence as she
herself had done. And this new acquaintanceship made a somewhat singular
revolution in the drawing-room--where the young musician, after her
singing, was instantly joined by her two friends. She was extremely
reserved and shy of every one else, and even of them occasionally, under
the eyes of Mrs Edgerley; but she was no longer the little tragical
princess who buried herself in the book and the corner, and neither
heard nor saw anything going around her. And the fact that they had some
one whose position was even more doubtful and uneasy than their own, to
give heart and courage to, animated Agnes and Marian, as nothing else
could have done. They recovered their natural spirits, and were no
longer overawed by the great people surrounding them; they had so much
care for Rachel that they forgot to be self-conscious, or to trouble
themselves with inquiries touching their own manners and deportment, and
what other people thought of the same; and on the whole, though their
simplicity was not quite so amusing as at first, “other people” began to
have a kindness for the fresh young faces, always so honest, cloudless,
and sincere.
But Agnes’s “reputation” had died away, and left very little trace
behind it. Mrs Edgerley had found other lions, and at the present moment
held in delusion an unfortunate young poet, who was much more like to be
harmed by the momentary idolatry than Agnes. The people who had been
dying to know the author of _Hope Hazlewood_, had all found out that the
shy young genius did not talk in character--had no gift of conversation,
and, indeed, did nothing at all to keep up her fame; and if Agnes
chanced to feel a momentary mortification at the prompt desertion of all
her admirers, she wisely kept the pang to herself, and said nothing
about it. They were not neglected--for the accomplished authoress of
_Coquetry_ and the _Beau Monde_ had some kindness at her heart after
all, and had always a smile to spare for her young guests when they came
in her way; they were permitted to roam freely about the gardens and the
conservatory; they were by no means hindered in their acquaintance with
Rachel, whom Mrs Edgerley was really much disposed to bring out and
patronise; and one of them, the genius or the beauty, as best suited her
other companions, was not unfrequently honoured with a place in Mrs
Edgerley’s barouche--a pretty shy lay figure in that rustling, radiant,
perfumy _bouquet_ of fine ladies, who talked over her head about things
and people perfectly unknown to the silent auditor, and impressed her
with a vague idea that this elegant and easy gossip was brilliant
“conversation,” though it did not quite sound, after all, like that
grand unattainable conversation to be found in books. After this
fashion, liking their novel life wonderfully well, and already making a
home of that sunny little dressing-room, they drew gradually towards the
end of their fortnight.
Public-domain text, read in full here on John Shaqi.
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