The Atlantic Monthly, Volume 01, No. 01, November, 1857: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 01, No. 01, November, 1857: A Magazine of Literature, Art, and PoliticsVarious
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The Atlantic Monthly, Volume 01, No. 01, November, 1857: A Magazine of Literature, Art, and Politics
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the contrary decree of the Roman Senate very much in dudgeon. He therefore
left the country in a huff, and revenged himself by annihilating vast
numbers of unfortunate Gauls, Britons, Germans, and other barbarians, who
happened to come in his way.
The first public edifice of any importance erected in the city was a temple
to Mars, with a colossal statue of that divinity in the midst of it. This
is the present baptistery, formerly cathedral, of Saint John; for the
temple never was destroyed, and never can be destroyed, until the day of
judgment. This we know on the authority of more than one eminent historian.
It is also proved by an inscription to that effect in the mosaic pavement,
which any one may inspect who chooses to do so. [Footnote: Villani, Cron.
Lib. I. c. xlii.]
The town was utterly destroyed A.D. 450, by Totila, _Flagellum Dei_,
who, with great want of originality, immediately rebuilt Fiesole; thus
repeating, but reversing, the achievement of the Romans five hundred years
before. So Fiesole and Florence seem to have alternately filled and emptied
themselves, like two buckets in a well, down to the time of Charlemagne.
That emperor rebuilt Florence, but experienced some difficulty in doing
so, by reason of the statue of Mars, which had been thrown into the Arno.
The temple, converted to Christian purposes, had been the only building to
escape the wrath of Totila; but owing to the pagan incantations practised
when the town was originally consecrated to the god of war, the statue of
that divinity would not consent to lie quietly and ignominiously in the bed
of the Arno, while his temple and town were appropriated to other purposes.
The river was dragged. The statue was found and set upon a column near the
edge of the river, on a spot which is now the head of the Ponte Vecchio.
True to its pugnacious character, it brought nothing but turbulence and
bloodshed upon the town. The long and memorable feuds between the Guelphs
and Ghibellines began by the slaying of Buondelmonte in his wedding dress,
at the base of the statue. (A.D. 1215.)
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