The Atlantic Monthly, Volume 01, No. 03, January, 1858: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 01, No. 03, January, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
Now surely she who thus sings should be beautiful, after the Hindoo
type;--that is, she should have the complexion of chocolate and cream;
"her face should be as the full moon, her nose smooth as a flute;
she should have eyes like unto lotuses, and a neck like a pigeon's;
her voice should be soft as the cuckoo's, and her step as the gait
of a young elephant of pure blood." Let us see.
Alas, no! She entertains a set of lazy bearers, smoking the
hubble-bubble around a palanquin as they wait for a fare; and her
buksheesh may be a cowry or two. By no means is she of the
_nautch_-maidens of Lucknow, who were wont to lighten the hours of
debauched majesty between the tiger-fights and the games of leap-frog;
by no means is she ringed as to her fingers or belled as to her toes;
and though she carries her music wherever she goes, she also carries
a shiny brown baby, slung in a canvas tray between her shoulders.
No excessively voluminous folds of gold-embroidered drapery encumber
her supple limbs; but her skirts are of the scantiest, (what Miss Flora
MacFlimsey would call _skimped_,) and pitifully mean as to quality.
By no means have the imperial looms of Benares contributed to her
professional costume a veil of wondrous fineness and a Nabob's price;
but a narrow red strip of some poor cotton stuff crosses her bosom
like a scarf, and leaves exposed too much of the ruins of once
daintier beauties. A string of glass beads, black and red alternate,
are all her jewels,--save one silver bodkin, all forlorn, in her hair,
and a ring of thin gold wire piercing the right nostril, and, with
an effect completely deforming, encircling the lips. Her teeth and
nails are deeply stained, and the darkness of her eyes is enhanced
by artificial shadows.
And so, while that baby-Tantalus, catching glimpses, over the
unveiled shoulder, of the Micawberian fount he cannot reach,
stretches his little brown arms, bites, kicks, and squalls,--while a
small female apprentice, by way of chorus, in costume and gesture
absurdly caricaturing her _prima donna_, (a sort of Cossitollah
marchioness, indeed, for some Dick Swiveller of the Sahibs,) shuffles
rheumatically with her feet, or impotently dislocates her slender
arms, or pounds insanely on a cracked tomtom, or jangles her clumsy
cymbals, while the squatting bearers cry, "_Wah wah!_" and clap
their sweaty hands,--our poor old glee-maiden of Cossitollah strums
her two-stringed guitar, letting the baby slide, and creaks
corkscrewishly her _Chota, chota natchelee_:--
_Badi subå choo boog zuree,
Bar suri kove an puree,
Qassué Hufiz ush bigo
Tazu bu tazu, nou bu nou!_
"Zephyrs, while you gently move
By the mansion of my love,
Softly Hafiz' strains repeat,
Ever new and ever sweet!"
Heaven save the key!
"_Ka munkta_, Bearer?--What is it, my gentle Karlee?"
"_Chittee, Sahib!--chittee_ for Master."
"Note, hey? from whom? let us see!"
Public-domain text, read in full here on John Shaqi.
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