The Atlantic Monthly, Volume 01, No. 05, March, 1858: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 01, No. 05, March, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
one body; and it would seem, from inscriptions that have been found upon
their covering-slabs, that they were not infrequently prepared during
the lifetime of persons who had paid beforehand for their graves. It is
not improbable that the expenses of some one or more of the cemeteries
may have been borne by the richer members of the Christian community,
for the sake of their poorer brothers in the faith. The example of
Nicodemus was one that would be readily followed.
[Footnote E: There is one puzzling circumstance in the cemetery of S.
Domitilla. _All_ the graves in this cemetery are _arcosolia_, and yet
the date of construction is early. The Cavaliere de Rossi suggests that
the cemetery was begun at the expense of the Domitilla whose name it
bears, the niece of Domitian, previously to her banishment; that her
position enabled her to have it laid out from the beginning on a regular
plan, and to introduce this more expensive and elaborate form of
grave, which was continued for the sake of uniformity in the later
excavations.]
But beside the different forms of the graves, by which their general
character was varied, there were often personal marks of affection
and remembrance affixed to the narrow excavations, which give to the
catacombs their most peculiar and touching interest. The marble facing
of the tomb is engraved with a simple name or date; or where tiles take
the place of marble, the few words needed are scratched upon their hard
surface. It is not too much to say that we know more of the common faith
and feeling, of the sufferings and rejoicings of the Christians of the
first two centuries from these inscriptions than from all other sources
put together. In another paper we propose to treat more fully of them.
As we walk along the dark passage, the eye is caught by the gleam of a
little flake of glass fastened in the cement which once held the closing
slab before the long since rifled grave. We stop to look at it. It is a
broken bit from the bottom of a little jar (_ampulla_); but that little
glass jar once held the drops of a martyr's blood, which had been
carefully gathered up by those who learned from him how to die, and
placed here as a precious memorial of his faith. The name of the martyr
was perhaps never written on his grave; if it were ever there, it has
been lost for centuries; but the little dulled bit of glass, as it
catches the rays of the taper borne through the silent files of graves,
sparkles and gleams with a light and glory not of this world. There are
other graves in which martyrs have lain, where no such sign as this
appears, but in its place the rude scratching of a palm-branch upon the
rock or the plaster. It was the sign of victory, and he who lay within
had conquered. The great rudeness in the drawing of the palm, often as
if, while the mortar was still wet, the mason had made the lines upon it
with his trowel, is a striking indication of the state of feeling at the
time when the grave was made.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account