The Atlantic Monthly, Volume 02, No. 12, October, 1858: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 02, No. 12, October, 1858: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 02, No. 12, October, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
to the very base of the Rocky Mountains; and these monarch streams
represent the rivers of the continent. Thus here do these highways of
God's own making run, as it were, past every man's door, and connect
each man with the world he lives in.
Rivers await their due celebration. We easily see that Nile, Ganges,
Euphrates, Jordan, Tiber, Thames, are rivers of influence in human
history, no less than water-currents on the earth's surface. They have
borne barks and barges that the eye never saw. They have brought on
their soft bosoms freight to the cities of the brain, as well as to
Memphis, Rome, London. Some experience of their spiritual influence
must have fallen to the lot of most men. The loved and lovely Merrimac
no longer accedes to the writer's eye, but, as of old, glides securely
seaward in his thought,--like a strain of masterly music long ago
heard, and, when heard, identical in its suggestions with the total
significance and vital progress of one's experience, that, intertwining
itself as a twin thread with the shuttled fibre of life, it was woven
into the same fabric, and became an inseparable part of the
consciousness; so, hearken when one will, after the changes and
accessions of many peopled years, and amid the thousand-footed trample
of the mob of immediate impressions, still secure and predominant it is
heard subtly sounding. Deep conversation with any river readily
interprets to us that venerable mythus which connects Eden with the
four rivers of the world; as if water must flow where man is chiefly
blest.
But the point here to be emphasized is, that rivers are the progressive
and public element in its geographical expression. They throw the
continent open; they are doors and windows, through which the nations
look forth upon the world, and leave and enter their own household.
They are the hospitality of the continent,--every river-mouth chanting
out over the sea a perpetual, "Walk in," to all the world. Or again,
they are geographical senses,--eyes, ears, and speech; for of these
supreme mediators in the body, voice, vision, and hearing, it is the
office, as of rivers, to open communication between the interior and
exterior world; they are rivers of access to the outlying universe of
men and things, which enters them, and approaches the soul through the
freighted suggestions of sight and sound. Rivers, lastly, are the
geographical symbol of public spirit, the flowing and connecting
element, suggesting common interests and large systems of action.
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