"Then tell her;--you will be able, I know, to think of a great deal that is comforting. I should not remember it, I'm afraid, if I could write the letter. Tell her what fine music I have. You can say something, too, about the garden, as I said. You can speak of the view from this window. See! it is very fine. You can tell her--yes, you can tell her now, that I am well, Elizabeth." "Oh, Sir, can I tell her you are well?" "Yes,--yes,--say so. Besides, it is true. But you must add that I have no hope now of our meeting in this world. She can bear it, for she is strong, like you. She, too, is a soldier's daughter. If you will say those things, I will tell you her name. That shall be our secret." In this speech his tone was altogether that of one who takes the place of a comforter. "Yes," said Elizabeth, calm and attentive. It was quite impossible that she should so mistake as to allow the knowledge that was quickening her perception into pain to appear. "You must tell her about yourself," said he, again. "What shall I say? There is nothing about myself to tell, Mr. Manuel." "Is there not? That would be strange. Tell her what music you like best to hear your father play. She will understand you by that. Tell her anything,--she will not call it a trifle. What if she answers you in the same mood? Should we call it foolish, if she told us her thoughts, and the events that take place daily in her quiet life? You can tell her what songs you love to sing. And if she does not know them, she will learn them, Elizabeth. Tell her how much it comforts me to hear you sing. Tell her, that, if she has prayed some light might shine on me from Heaven, her prayer is answered. For it is true. You serve me like an angel, and I see it all. Tell her she must love you for my sake,--though there is no need to tell her.--Do you see?" "I see." "Tell her I remember"--There he faltered; he could say no more. "Yes," said Elizabeth, "I will,--I will tell her everything, Mr. Manuel,--everything that it would comfort her to hear." She had written letters now and then. Great pride Montier and Pauline took in their daughter's skilful use of pen and ink, and pencil,--for Elizabeth could sketch as well as write. There was nothing new or strange, therefore, in her addressing this conversation to a spirit. But, also, there was nothing easy in this task, though she had the mighty theme of faithful love to dwell upon, and love's wondrous inspiration to enlighten her labor. The description to be given of island scenery was such as she had given more than once, in writing to her distant, unknown relatives. She need vary only slightly from what she had written before, when she gave report of her own daily life. She was always eloquent when talking about the flowers or her father's music.