The Atlantic Monthly, Volume 02, No. 13, November, 1858: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 02, No. 13, November, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
Wondering, doubting if he heard aright, Manuel looked at Elizabeth.
The painful, kindly smile, the incredulity, had disappeared from his
face; the power and confidence of her words seemed to persuade him
that at least she purposed seriously and was not uttering mere wishes.
It might be the enthusiasm and generosity of a child that inspired
her speech, but its determination and gravity of utterance demanded
at least a respectful hearing.
"What do you mean, Elizabeth?" he asked.
"I mean that I will go home and explain, and you shall be set free."
He shook his head. "There is nothing to be explained," said he.
"I am not here by mistake. I am very clearly guilty, if there is
guilt in doing what I am accused of. The hearts of those who
condemned me must be changed, and their eyes opened, or I shall
never be set free."
"God chooses humble agents," she said, humbly. "David slew Goliath,
and he was but a lad. He will open the way for me, and by me change
the hearts of those who condemned, and by me open their eyes.
Therefore I shall go,--I shall surely go. Ah, Mr. Manuel, give me
the picture! It is all that you shall have of the island of Foray,
please Almighty God, when these doors are all open for you, and your
hands are free, Sir, and we tell you to come, for the vessel is
waiting!"
She went out from the room while these words took solemn possession
of the place. She locked the door behind her;--no requirement of law
was to be neglected or withstood; she made him a prisoner whom she
would set free;--and from this interview she went away, not to
solitude, and the formation of secret plans, but, as became the
daughter of Adolphus and Pauline Montier, she went quietly, with that
repose of manner which distinguished her through almost every event,
back to her mother's chamber.
There stood Adolphus Montier, drummer to the regiment, jailer to the
prisoner, father of Elizabeth,--loving man, whichever way you looked
at him. He had his French horn in his hands, and was about to raise
it to his lips; in a moment more a blast would have rung through the
house, for Adolphus was in one of his tempestuously happy moods.
But his daughter's entrance arrested his purpose. Say, rather, the
expression of her face performed that feat. He saw, likewise, the
paper which she carried, the pencilled sketch,--and he followed her
with his eyes when she crossed the room and placed it on the mantel
under the engraving of the city of Fatherland. This act took the
parents to the fireplace, for discussion and criticism of their
daughter's work, and of the two homes now brought into contrasted
connection.
"But you have left out the prison," was the comment of Adolphus.
"I am glad of that," said Pauline.
"But it is part of the island."
"It ought to be left out, though," maintained his wife.
"Where would you keep _him_, then?" asked Adolphus, a broad smile
spreading over his face. He knew well enough what the answer would be.
Public-domain text, read in full here on John Shaqi.
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