The Atlantic Monthly, Volume 02, No. 13, November, 1858: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 02, No. 13, November, 1858: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 02, No. 13, November, 1858: A Magazine of Literature, Art, and Politics
Various
American periodicals
Later in the day the prisoner heard Elizabeth singing, as not rarely
he heard her,--for, knowing that the sound of her voice was pleasant
to him, and that its cheerfulness cheered him, she had the habit of
frequenting with her songs that part of the house in which his room
was. The prisoner heard her singing later in the day, and thanked
her for the grace, but did not catch the words whose sound swept
past him. It was an ancient hymn she sang,--one that she often sang;
and that she sang it this day of all days, I copy here the first
verse:--
"Sing, my tongue, the glorious battle,
With completed victory rife,
And above the Cross's trophy
Tell the triumph of the strife,
How the world's Redeemer conquered
_By surrendering of his life_."
* * * * *
The Drummer's Daughter has crossed the sea,--has landed on the
shores of Fatherland. She has even parted from her fellow-voyagers
at the station whence the coach shall take her on to Chalons, that
venerable town and well-beloved, where the lives whence her own
sprung were born and blended. She is in the land of wonders, of
meadows, vineyards, gardens, lakes, and rivers, and of cattle
feeding on a thousand hills,--among the graves of millions of men,
among the works of heroes and of martyrs, in the land of mighty towns,
of palaces, of masters, and of slaves, where a great king is
building the great palace which shall witness, centuries hence, the
dire humiliation of his race.
Of all the crowds and companies that hurry to and fro from one end
of the land to the other, Elizabeth seeks only two persons. It is
not to her father's native town that she is drawn by the superior
attraction. She passes Chalons in the moonlight. When the coach
stops at the inn-door for a change of horses, she keeps her place,
--she acts not with the quicker beating of her heart. She looks about
her as they drive through the silent streets,--out on the moonlit
landscape when they have passed the borders of the town; she sees
the church-towers, and the old buildings, and the river whose
windings she has heard described so often by the voices that once
talked of love all along its borders. Chalons is dear to her; she
looks back with tearful longing when the driver hurries on his
horses as they pass into the open country. But she has no right to
wait on her own pleasure,--to verify her parents' calculations when
they talk together, by the fireside in Foray, of her journeying
through Fatherland.
No,--each sunrise appoints him one more day of imprisonment and exile!
Every sunset leaves him to one more night of cruel dreams which
morning shall deride! And while this can be said, what has Chalons,
or any other spot on earth, that it should lure her into rest?
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