The Atlantic Monthly, Volume 03, No. 16, February, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 16, February, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
Nevertheless, however strong a case may be made out against the Folio of
1623, whatever sins of omission we may lay to the charge of Heminge and
Condell, or of commission to that of the printers, it remains the only
text we have with any claims whatever to authenticity. It should be
deferred to as authority in all cases where it does not make Shakspeare
write bad sense, uncouth metre, or false grammar, of all which we
believe him to have been more supremely incapable than any other man who
ever wrote English. Yet we would not speak unkindly even of the blunders
of the Folio. They have put bread into the mouth of many an honest
editor, publisher, and printer, for the last century and a half; and he
who loves the comic side of human nature will find the serious notes of
a _variorum_ edition of Shakspeare as funny reading as the funny ones
are serious. Scarce a commentator of them all, for more than a hundred
years, but thought, as Alphonso of Castile did of Creation, that, if
he had only been at Shakspeare's elbow, he could have given valuable
advice; scarce one who did not know off-hand that there was never a
seaport in Bohemia,--as if Shakspeare's world were one which Mercator
could have projected; scarce one but was satisfied that his ten
finger-tips were a sufficient key to those astronomic wonders of poise
and counterpoise, of planetary law and cometary seeming-exception, in
his metres; scarce one but thought he could gauge like an ale-firkin
that intuition whose edging shallows may have been sounded, but
whose abysses, stretching down amid the sunless roots of Being and
Consciousness, mock the plummet; scarce one but could speak with
condescending approval of that prodigious intelligence so utterly
without congener that our baffled language must coin an adjective to
qualify it, and none is so audacious as to say Shakspearian of any
other. And yet, in the midst of our impatience, we cannot help thinking
also of how much healthy mental activity this one man has been the
occasion, how much good he has indirectly done to society by withdrawing
men to investigations and habits of thought that secluded them from
baser attractions, for how many he has enlarged the circle of study and
reflection; since there is nothing in history or politics, nothing in
art or science, nothing in physics or metaphysics, that is not sooner or
later taxed for his illustration. This is partially true of all great
minds, open and sensitive to truth and beauty through any large arc
of their circumference; but it is true in an unexampled sense of
Shakspeare, the vast round of whose balanced nature seems to have been
equatorial, and to have had a southward exposure and a summer sympathy
at every point, so that life, society, statecraft serve us at last but
as commentaries on him, and whatever we have gathered of thought, of
knowledge, and of experience, confronted with his marvellous page,
shrinks to a mere footnote, the stepping-stone to some hitherto
Public-domain text, read in full here on John Shaqi.
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