The Atlantic Monthly, Volume 03, No. 16, February, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 16, February, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
inaccessible verse. We admire in Homer the blind placid mirror of the
world's young manhood, the bard who escapes from his misfortune in poems
all memory, all life and bustle, adventure and picture; we revere in
Dante that compressed force of lifelong passion which could make a
private experience cosmopolitan in its reach and everlasting in its
significance; we respect in Goethe the Aristotelian poet, wise by
weariless observation, witty with intention, the stately _Geheimerrath_
of a provincial court in the empire of Nature. As we study these, we
seem in our limited way to penetrate into their consciousness and to
measure and master their methods;--but with Shakspeare it is just the
other way; the more we have familiarized ourselves with the operations
of our own consciousness, the more do we find, in reading him, that
he has been beforehand with us, and that, while we have been vainly
endeavoring to find the door of his being, he has searched every nook
and cranny of our own. While other poets and dramatists embody isolated
phases of character and work inward from the phenomenon to the special
law which it illustrates, he seems in some strange way unitary with
human nature itself, and his own soul to have been the law- and
life-giving power of which his creations are only the phenomena. We
justify or criticize the characters of other writers by our memory and
experience, and pronounce them natural or unnatural; but he seems to
have worked in the very stuff of which memory and experience are made,
and we recognize his truth to Nature by an innate and unacquired
sympathy, as if he alone possessed the secret of the "ideal form and
universal mould," and embodied generic types rather than individuals.
In this Cervantes alone has approached him; and Don Quixote and Sancho,
like the men and women of Shakspeare, are the contemporaries of
every generation, because they are not products of an artificial and
transitory society, but because they are animated by the primeval and
unchanging forces of that humanity which underlies and survives the
forever-fickle creeds and ceremonials of the parochial corners which we
who dwell in them sublimely call The World.
Public-domain text, read in full here on John Shaqi.
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