The Atlantic Monthly, Volume 03, No. 17, March, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 17, March, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
[Footnote M: _Convito_, Tratt. ii. c. 3.]
And so hard was this struggle, and so painful, that Dante took
refuge from it in the composition of a poem addressed to the Angelic
Intelligences who move the third heaven, that is, the heaven of Venus;
and it is to the exposition of the true meaning of this Canzone that
the second book or treatise of the "Convito" is directed. In one of the
later chapters he says, (and the passage is a most striking one, from
its own declaration, as well as from its relation to the vision of the
"Divina Commedia,")--"The life of my heart was wont to be a sweet and
delightful thought, which often went to the feet of the Lord of those
to whom I speak, that is, to God,--for, thinking, I contemplated the
kingdom of the Blessed. And I tell [in my poem] the final cause of my
mounting thither in thought, when I say, 'There I beheld a lady in
glory'; [and I say this] in order that it may be understood that I was
certain, and am certain, through her gracious revelation, that she was
in heaven, whither I in my thought oftentimes went,--as it were, seized
up. And this made me desirous of death, that I might go there where she
was."[N] Following upon the chapter in which this remarkable passage
occurs is one which is chiefly occupied with a digression upon the
immortality of the soul,--and with discourse upon this matter, says
Dante, "it will be beautiful to finish speaking of that living and
blessed Beatrice, of whom I intend to say no more in this book.... And
I believe and affirm and am certain that I shall pass after this to
another and better life, in which that glorious lady lives of whom my
soul was enamored."[O]
[Footnote N: _Convito_, Tratt. ii. c. 8.]
[Footnote O: Id. c. 9.]
But it is not from the "Convito" alone that this portion of the "Vita
Nuova" receives illustration. In that passage of the "Purgatory" in
which Beatrice is described as appearing in person to her lover the
first time since her death, she addresses him in words of stern rebuke
of his fickleness and his infidelity to her memory. The whole scene is,
perhaps, unsurpassed in imaginative reality; the vision appears to have
an actual existence, and the poet himself is subdued by the power of his
own imagination. He tells the words of Beatrice with the same feeling
with which he would have repeated them, had they fallen on his mortal
ear. His grief and shame are real, and there is no element of feigning
in them. That in truth he had seemed to himself to listen to and to
behold what he tells, it is scarcely possible to doubt. Beatrice says,--
"Some while at heart my presence kept him sound;
My girlish eyes to his observance lending,
I led him with me on the right way bound.
When of my second age the steps ascending,
I bore my life into another sphere,
Then stole he from me, after others bending.
When I arose from flesh to spirit clear,
When beauty, worthiness, upon me grew,
I was to him less pleasing and less dear."[P]
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