The Atlantic Monthly, Volume 03, No. 17, March, 1859: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 03, No. 17, March, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 03, No. 17, March, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
Such is an imperfect and brief account of the origin, the various forms,
and the meaning of the Dance of Death, and of the life and character of
him whose genius has caused it to be called by his name. It may
smell too much of mortality and antiquity for this fast-living and
forward-looking age; for it is not only a monument of the past, but an
exponent of its spirit. We can look back at it, through the mellowing
mist of centuries, with curiosity not unmixed with admiration; but we
should turn with aversion from such a work, coming from the hands of an
artist of our own day. We think, and with some reason, that we do not
need its teachings; for we are freed from the thraldom that gave edge
to its democratic satire; and we have learned to look with greater
calmness, if not with higher hope, upon the future, to which the grave
is but the ever-open portal. But we may yet profit by a thoughtful
consideration of the eternal truths embodied by Holbein in his Dance of
Death; and in the story of his life there is a lesson for every man, and
every woman too, if they will but find it.
LIZZY GRISWOLD'S THANKSGIVING.
"So John a'n't a-comin', Miss Gris'ld," squeaked Polly Mariner, entering
the great kitchen, where Mrs. Griswold was paring apples and Lizzy
straining squash.
"Isn't he?" quietly replied the lady addressed, as the tailoress sat
down in the flag-bottomed rocking-chair, and began rocking vehemently,
all the time eyeing Lizzy from the depths of her poke-bonnet with
patient scrutiny.
"No, he a'n't,--so Mr. Gris'ld says," went on Polly. "You see, I was
a-comin' up here from the Centre, so's to see if Sam couldn't wait for
his roundabout till arter Thanksgivin'; for Keziah Perkins, she 't was
my sister's husband's fust wife's darter, 'n' finally married sister's
fust husband's son, she's a real likely woman, and she's wrote over from
Taunton to ask me to go there to Thanksgivin'; 'n' to-day's Monday; 'n'
I was a-comin' here Tuesday so's to make Sam's roundabout; 'n' yesterday
Miss Luken's boy Simon, he 't a'n't but three year old, he got my
press-board, when he was a-crawlin' round, 'n' laid it right onto the
cookin'-stove, and fust thing Miss Lukens know'd it blazed right up, 'n'
I can't get another fixed afore Wednesday, and then I'd ought to be to
Taunton, 'cause there a'n't no stage runs Thursday, and there hadn't
oughter, of course"----
"We have got a press-board," said Mrs. Griswold, quietly.
"Yes, and I a'n't goin' to grandfather's in my old jacket, Miss Poll,"
interposed Sam, one of the "terrible" children who are scattered here
and there through this world. "Catch me where all the folks are, in that
old butternut suit!" added Sam.
But here his father stepped in at the door,--a fine, sturdy, handsome
farmer, one of New England's model men, whose honesty was a proverb, and
whose goodness a reliance to every creature in Greenfield.
Public-domain text, read in full here on John Shaqi.
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