The Atlantic Monthly, Volume 04, No. 21, July, 1859: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 04, No. 21, July, 1859: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 04, No. 21, July, 1859: A Magazine of Literature, Art, and Politics
Various
American periodicals
The Federalists had a powerful ally in William Cobbett, who signed
himself Peter Porcupine, adopting for his literary _alias_ a nickname
bestowed by his enemies. This remarkable writer, who, like Paine,
figured in the political conflicts of two nations, must have come into
the world bristling with pugnacity. A more thorough game-cock never
crowed in the pit. He had been a private in the English army, came
to the United States about 1790, and taught French to Americans, and
English to Frenchmen, (to Talleyrand among others,) until 1794, when
the dogmatic Dr. Priestley arrived here, fresh from the scene of his
persecutions. The Doctor losing no time in laying his case before the
American public, Cobbett answered his publication, ridiculing it and the
Doctor's political career in a pamphlet which became immediately popular
with the Federalists. From that time until his departure for England, in
1800, Cobbett's pen was never idle. His "Little Plain English in Favor
of Mr. Jay's Treaty" was altogether the best thing published on that
side of the question. Cobbett had more than one point of resemblance to
Paine, the object of his early invective, but later of his unqualified
admiration. These two men were the best English pamphleteers of their
day. In shrewdness, in practical sense, Cobbett was fully Paine's equal.
He was as coarse and as pithy in expression, but with more wit, a better
education, more complete command of language, and a greater variety of
resources. Cobbett was a quicker and a harder hitter than Paine. His
personal courage gave him a great advantage in his warfaring life. In
1796, in the hottest of the French and English fight, the well-known
Porcupine opened a shop in Philadelphia. He filled his show-window with
all the prints of English kings, nobles, and generals he could collect,
and "then," he says, "I took down the shutters, and waited."
Public-domain text, read in full here on John Shaqi.
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