The Atlantic Monthly, Volume 06, No. 33, July, 1860: A Magazine Of Literature, Art, And PoliticsVarious
Science
The Atlantic Monthly, Volume 06, No. 33, July, 1860: A Magazine Of Literature, Art, And Politics
Various
American periodicals
It will be observed that we have criticized this work from a
scientific rather than from a popular point of view. As questions of
popular interest, it is perhaps of very little importance whether the
earth's orbit will or will not become circular in the course of
millions of years, or in what the principle of areas consists or does
not consist. But if such facts or principles are to be stated at all,
we have a right to see them stated correctly. However, in the first
nine chapters, which part of the book will be most read, few mistakes
of any importance occur, and the method pursued by Newton in deducing
the law of gravitation is explained in the author's most felicitous
style.
* * * * *
_El Fureidîs_. By the Author of "The Lamplighter" and "Mabel
Vaughan." Boston: Ticknor & Fields. 16mo.
That large army of readers whose mere number gave celebrity at once
to the authoress of "The Lamplighter" will at first be disappointed
with what they may call the location of this new romance by Miss
Cummins. The scene is laid in Syria, instead of New England, and the
"village" known to New Yorkers as Boston gives way to "El Fureidîs,"
a village in the valley of Lebanon. But while so swift a transition
from the West to the East may disappoint that "Expectation" which
Fletcher tells us "sits i' the air," and which we all know is not to
be balked with impunity, there can be no doubt, that, in shifting the
scene, the authoress has enabled us to judge her essential talent
with more accuracy. Possessing none of the elements which are thought
essential to the production of a sensation, "The Lamplighter" forced
itself into notice as a "sensation book." The writer was innocent of
all the grave literary crimes implied in such a distinction. The
first hundred and fifty pages were as simple, and as true to ordinary
nature, as the daisies and buttercups of the common fields; the
remaining two hundred pages repeated the stereotyped traditions and
customary hearsays which make up the capital of every professional
story-teller. The book began in the spirit of Jane Austen, and ended
in that of Jane Porter.
Public-domain text, read in full here on John Shaqi.
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