The Atlantic Monthly, Volume 07, No. 41, March, 1861: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 07, No. 41, March, 1861: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 07, No. 41, March, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
Ten leaps up a steep, worn-out stairway, through a blind entry to
another stairway, and yet another, and we emerge suddenly upon the floor
of a large lighted room, a mere human machine-shop of busy motion, where
Indian clubs are whirling, dumb-bells pounding, swings vibrating, and
arms and legs flying in all manner of unexpected directions. Henderson
sits with his big proportions quietly rested against the weight-boxes,
pulling with monotonous vigor at the fifty-pound weights,--"the
Stationary Engine" the boys call him. For a contrast, Draper is floating
up and down between the parallel bars with such an airy lightness, that
you think he must have hung up his body in the dressing-room, and is
exercising only in his arms and clothes. Parsons is swinging in the
rings, rising to the ceiling before and behind; up and down he goes,
whirling over and over, converting himself into a mere tumbler-pigeon,
yet still bound by the long, steady vibration of the human pendulum.
Another is running a race with him, if sitting in the swing be running;
and still another is accompanying their motion, clinging to the
_trapèze_. Hayes, meanwhile, is spinning on the horizontal bar, now
backward, now forward, twenty times without stopping, pinioned through
his bent arms, like a Fakir on his iron. See how many different ways
of ascending a vertical pole these boys are devising!--one climbs with
hands and legs, another with hands only, another is crawling up on
all-fours in Feegee fashion, while another is pegging his way up by
inserting pegs in holes a foot apart,--you will see him sway and
tremble a bit, before he reaches the ceiling. Others are at work with a
spring-board and leaping-cord; higher and higher the cord is moved, one
by one the competitors step aside defeated, till the field is left to a
single champion, who, like an India-rubber ball, goes on rebounding till
he seems likely to disappear through the chimney, like a Ravel. Some
sturdy young visitors, farmers by their looks, are trying their
strength, with various success, at the sixty-pound dumb-bell, when some
quiet fellow, a clerk or a tailor, walks modestly to the hundred-pound
weight, and up it goes as steadily as if the laws of gravitation had
suddenly shifted their course, and worked upward instead of down. Lest,
however, they should suddenly resume their original bias, let us cross
to the dressing-room, and, while you are assuming flannel shirt or
complete gymnastic suit, as you may prefer, let us consider the merits
of the Gymnasium.
Public-domain text, read in full here on John Shaqi.
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