The Atlantic Monthly, Volume 08, No. 47, September, 1861: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 08, No. 47, September, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
Mr. Collier's position in this affair is, in any case, a most singular
and unenviable one. His discoveries, considering their nature and
extent and the quarters in which they were made, are exceedingly
suspicious:--the Ellesmere folio, the Bridgewater House documents,
including the Southampton letter, the Dulwich College documents,
including the Alleyn letter, the Petition of the Blackfriars Company
in the State Paper Office, and the various other letters, petitions,
accounts, and copies of verses, all of which are justly open to
suspicion of tampering, if not of forgery. What a strange and
unaccountable fortune to befall one man! How has this happened? What
fiend has followed Mr. Collier through the later years of his life,
putting manuscripts under his pillow and folios into his pew, and so
luring him on to moral suicide? Alas! there is probably but one man
now living that can tell us, and he will not. But this protracted
controversy, which has left so much unsettled, has greatly served the
cause of literature, in showing that by whomsoever and whensoever these
marginal readings, which so took the world by storm nine years ago, were
written, they have no pretence to any authority whatever, not even
the quasi authority of an antiquity which would bring them within the
post-Shakespearian period. All must now see, what a few at first saw,
that their claim to consideration rests upon their intrinsic merit only.
But what that merit is, we fear will be disputed until the arrival of
that ever-receding Shakespearian millenium when the editors shall no
longer rage or the commentators imagine a vain thing.
* * * * *
THE BATH.
Off, fetters of the falser life,--
Weeds that conceal the statue's form!
This silent world with truth is rife,
This wooing air is warm.
Now fall the thin disguises, planned
For men too weak to walk unblamed;
Naked beside the sea I stand,--
Naked, and not ashamed.
Where yonder dancing billows dip,
Far-off, to ocean's misty verge,
Ploughs Morning, like a full-sailed ship,
The Orient's cloudy surge.
With spray of scarlet fire before
The ruffled gold that round her dies,
She sails above the sleeping shore,
Across the waking skies.
The dewy beach beneath her glows;
A pencilled beam, the light-house burns:
Full-breathed, the fragrant sea-wind blows,--
Life to the world returns!
I stand, a spirit newly born,
White-limbed and pure, and strong, and fair,--
The first-begotten son of Morn,
The nursling of the air!
There, in a heap, the masks of Earth,
The cares, the sins, the griefs, are thrown
Complete, as, through diviner birth,
I walk the sands alone.
With downy hands the winds caress,
With frothy lips the amorous sea,
As welcoming the nakedness
Of vanished gods, in me.
Along the ridged and sloping sand,
Where headlands clasp the crescent cove,
A shining spirit of the land,
A snowy shape, I move:
Public-domain text, read in full here on John Shaqi.
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