The Atlantic Monthly, Volume 08, No. 50, December, 1861: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 08, No. 50, December, 1861: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 08, No. 50, December, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
I cannot close this portion of my story without relating my second
interview with my aboriginal countrymen, not quite so satisfactory as
the first, but at least with its amusing, or rather its laughable side.
I was living in Siena, a quiet old Tuscan town, with barely fifteen
thousand inhabitants to occupy a circuit of wall that had once held
fifty,--but with all the remains of its former greatness about it, noble
palaces, a cathedral second in beauty to that of Milan alone, churches
filled with fine pictures, an excellent public library, (God's blessing
be upon it, for it was in one of its dreamy alcoves that I first read
Dante,) a good opera in the summer, and good society all the year round.
Month was gliding after month in happy succession. I had dropped readily
into the tranquil round of the daily life, had formed many acquaintances
and two or three intimate ones, and, though reminded from time to time
of the General by a paternal letter, had altogether forgotten the
specimens of the children of the forest whom I had seen under his roof.
One evening--I do not remember the month, though I think it was late in
the autumn--I had made up my mind to stay at home and study, and was
just sitting down to my books, when a friend came in with the air of a
man who had something very interesting to say.
"Quick, quick! shut your book, and come with me to the theatre."
"Impossible! I'm tired, and, moreover, have something to do which I must
do to-night."
"To-morrow night will do just as well for that, but not for the
theatre."
"Why?"
"Because there are some of your countrymen here who are going to be
exhibited on the stage, and the Countess P---- and all your friends want
you to come and interpret for them."
"Infinitely obliged. And pray, what do you mean by saying that some of
my countrymen are to be exhibited on the stage? Do you take Americans
for mountebanks?"
"No, I don't mean that; but it is just as I tell you. Some Americans
will appear on the stage to-night and make a speech in American, and you
must come and explain it to us."
I must confess, that, at first, my dignity was a little hurt at the idea
of an exhibition of Americans; but a moment's reflection convinced me
that I had no grounds for offence, and all of a sudden it occurred to
me that the "Americans" might be my friends of the Rue d'Anjou, whose
"guide and interpreter," though hardly their "friend," had got them
down as far as Siena on the general embassy. I was resolved to see, and
accordingly exchanging my dressing-gown and slippers for a dress-box
costume, I accompanied my friend to the theatre. My appearance at the
pit-door was the signal for nods and beckonings from a dozen boxes; but
as no one could dispute the superior claims of the Countess P----, I soon
found myself seated in the front of her Ladyship's box, and the chief
object of attention till the curtain rose.
Public-domain text, read in full here on John Shaqi.
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