The Atlantic Monthly, Volume 09, No. 52, February, 1862: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 09, No. 52, February, 1862: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 09, No. 52, February, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
The ducal cortege sweeps by; but we have mounted the dizzy, dark
staircase that leads to the roof, where, amid the bustling life of the
city, there is a promenade of still and wondrous solitude. One seems to
have ascended in those few moments far beyond the tumult and dust of
earthly things, to the silence, the clearness, the tranquillity of
ethereal regions. The noise of the rushing tides of life below rises
only in a soft and distant murmur; while around, in the wide, clear
distance, is spread a prospect which has not on earth its like or its
equal. The beautiful plains of Lombardy lie beneath like a map, and the
northern horizon-line is glittering with the entire sweep of the Alps,
like a solemn senate of archangels with diamond mail and glittering
crowns. Mont Blanc, Monte Rosa with his countenance of light, the
Jungfrau and all the weird brothers of the Oberland, rise one after
another to the delighted gaze, and the range of the Tyrol melts far off
into the blue of the sky. On another side, the Apennines, with their
picturesque outlines and cloud-spotted sides, complete the inclosure.
All around, wherever the eye turns, is the unbroken phalanx of
mountains; and this temple, with its thousand saintly statues standing
in attitudes of ecstasy and prayer, seems like a worthy altar and shrine
for the beautiful plain which the mountains inclose: it seems to give
all Northern Italy to God.
The effect of the statues in this high, pure air, in this solemn,
glorious scenery, is peculiar. They seem a meet companionship for these
exalted regions. They seem to stand exultant on their spires, poised
lightly as ethereal creatures, the fit inhabitants of the pure blue sky.
One feels that they have done with earth; one can fancy them a band of
white-robed kings and priests forever ministering in that great temple
of which the Alps and the Apennines are the walls and the Cathedral the
heart and centre. Never were Art and Nature so majestically married by
Religion in so worthy a temple.
One form could be discerned standing in rapt attention, gazing from a
platform on the roof upon the far-distant scene. He was enveloped in
the white coarse woollen gown of the Dominican monks, and seemed wholly
absorbed in meditating on the scene before him, which appeared to move
him deeply; for, raising his hands, he repeated aloud from the Latin
Vulgate the words of an Apostle:--
"Accessistis ad Sion montem et civitatem Dei viventis, Ierusalem
caelestem, et multorum millinm angelorum frequentiam, ecclesiam
primitivorum, qui inscripti sunt in caelis."[A]
[Footnote A: "Ye are come unto Mount Sion, and unto the city of the
living God, the heavenly Jerusalem, and to an innumerable company of
angels, to the general assembly and church of the first-born, which are
written in heaven."]
Public-domain text, read in full here on John Shaqi.
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