The Atlantic Monthly, Volume 09, No. 52, February, 1862: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 09, No. 52, February, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
And, in truth, the scene was worthy of the artist's enthusiasm. All
the overhanging hills that encircle the city with their silvery
olive-gardens and their pearl-white villas were now lighted up with
evening glory. The old gray walls of the convents of San Miniato and the
Monte Oliveto were touched with yellow; and even the black obelisks of
the cypresses in their cemeteries had here and there streaks and dots
of gold, fluttering like bright birds among their gloomy branches. The
distant snow-peaks of the Apennines, which even in spring long wear
their icy mantles, were shimmering and changing like an opal ring
with tints of violet, green, blue, and rose, blended in inexpressible
softness by that dreamy haze which forms the peculiar feature of Italian
skies.
In this loving embrace of mountains lay the city, divided by the Arno as
by a line of rosy crystal barred by the graceful arches of its bridges.
Amid the crowd of palaces and spires and towers rose central and
conspicuous the great Duomo, just crowned with that magnificent dome
which was then considered a novelty and a marvel in architecture, and
which Michel Angelo looked longingly back upon when he was going to Rome
to build that more wondrous orb of Saint Peter's. White and stately by
its side shot up the airy shaft of the Campanile; and the violet vapor
swathing the whole city in a tender indistinctness, these two striking
objects, rising by their magnitude far above it, seemed to stand alone
in a sort of airy grandeur.
And now the bells of the churches were sounding the Ave Maria, filling
the air with sweet and solemn vibrations, as if angels were passing to
and fro overhead, harping as they went; and ever and anon the great bell
of the Campanile came pulsing in with a throb of sound of a quality so
different that one hushed one's breath to hear. It might be fancied to
be the voice of one of those kingly archangels that one sees drawn by
the old Florentine religious artists,--a voice grave and unearthly, and
with a plaintive undertone of divine mystery.
The monk and the cavalier bent low in their saddles, and seemed to join
devoutly in the worship of the hour.
One need not wonder at the enthusiasm of the returning pilgrim of those
days for the city of his love, who feels the charm that lingers around
that beautiful place even in modern times. Never was there a spot
to which the heart could insensibly grow with a more home-like
affection,--never one more thoroughly consecrated in every stone by the
sacred touch of genius.
Public-domain text, read in full here on John Shaqi.
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