One of the pleasantest styles of landscape painting is that where the artist, in a mood of deep peace, sits down in the midst of scenes endeared by long and sweet association, and records in all tenderness their spirit and beauty. Such scenery Italy affords, and the Alban Hills seem to be the centre whence radiate all phases of the lovely and beautiful in Nature. There her forms have conspired with all the highest and rarest phenomena of light to render her state unapproachably glorious. There has also been given such an artist,--a woman altogether truthful, strong, and nobly delicate; and although several years have passed since she left Italy, her representations of scenery peculiarly Italian are too remarkable to be passed unnoticed. Indeed, this lady, Miss Sarah Jane Clark, is the only artist whose works are illustrative of a style of simple Landscape Art which unites in itself the love and conscientiousness of early Art and the precision and science of the modern. Her picture of Albano is wonderful,--not from the rendering of unusual or brilliant effects, but from a sense of genuineness. We feel that it grew. The flower and leaf forms which enrich the near ground are such as spring up on days like the one she has chosen. Another month, and new combinations would have given another key to her work and rendered the present impossible. In that real landscape had wrought the secret vitality clothing the earth in leafage and bloom. In its representation we see that a still more refined, a diviner vitality, has evolved leaf, flower, and golden grain. Another fact associated with this painting, as well as with some of its companions, is its character of restraint.