The Atlantic Monthly, Volume 11, No. 64, February, 1863: A Magazine of Literature, Art, and Politics — John Shaqi
The Atlantic Monthly, Volume 11, No. 64, February, 1863: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 11, No. 64, February, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
As the clock pointed to half-past ten, the door opened quickly, and
Dorcas stood on the threshold, like a summer breeze that has stopped
one moment its fluttering, and hovers fresh, sweet, and sunny in
the morning air. The breath of her presence, if indeed it were not
association, roused old Colonel Fox from his sleep. He glanced at her,
took the ready arm of his wife, looked again at the clock, and passed
out over the flat door-stone with his cocked hat and cane, as became
an invalid soldier and a gentleman. Behind them, hymn-book in hand
and with downcast eyes, walked Dorcas. Not a word passed between the
parents and their only daughter. On Sunday, people were not to think
their own thoughts. And familiarity between parents and children,
never allowed even on week-days, would have been unpardonable
unfitness on the Sabbath.
They reached the church-door just as the minister, with his white wig
shedding powder on his venerable back, passed up the broad-aisle.
A perfectly decorous throng of the loiterers followed, and the
pews rapidly filled. The Colonel and his wife, being persons of
consequence, took their way with suitable dignity and deliberation. In
the three who turned, about half-way up the broad-aisle, into a square
pew, a physiognomist would have seen at one glance the characteristic
features of each mind. In the Colonel, choleric, fresh, and
warm-hearted, a good lover, and not very good hater. In his wife, "a
chronicler of small-beer," with a perfectly negative expression. One
might guess she did no harm, and fear she did no good,--that she saved
the hire of an upper servant,--that she was an inveterate sewer and
cleaner, and would leave the world in time with an epitaph.
On the third figure and face the physiognomist might dwell
longer,--but that rather because youth, hope, and inexperience had
refused to make any of the life-marks that tell stories in faces.
There was abundant room for imagination and prophecy.
A figure not too tall, but full of wavy lines,--two dark-blue eyes,
whose full under-lids gave an expression of arch sweetness to the
glance,--a delicate complexion of roses and lilies, as suggestive of
fading as of blossoming,--features small, and not at all of the Greek
pattern,--and the rather large head and slightly developed bust,
typical of American rural beauty.
To this summary of youthful charms would be at once added the grace of
motion before spoken of, which made Dorcas Fox a favorite with all the
young men in Walton, and which gave her a reputation of beauty which
in strictness she did not deserve. A little habitual ill-health,
and the glamour is gone, with the roses and lilies and the music
of motion. In our climate of fierce extremes, both field- and
garden-flowers speedily wilt and chill. Dorcas herself had been a
thousand times told she was the very picture of her mother at her age.
And just to look now at Mrs. Colonel Fox!
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