The Atlantic Monthly, Volume 12, No. 70, August, 1863: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 12, No. 70, August, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
From my window overlooking the green, I was led away into some one or
other of the several halls to see the "round dances"; and it was like
going from Paradise to Pandemonium. From the pure and healthy lawn, all
the purer for the pure and peaceful people pleasantly walking up and
down in the sunshine and shade, or grouped in the numerous windows, like
bouquets of rare tropical flowers,--from the green, rainbowed in vivid
splendor, and alive with soft, tranquil motion, fair forms, and the
flutter of beautiful and brilliant colors,--from the green, sanctified
already by the pale faces of sick and wounded and maimed soldiers who
had gone out from the shadows of those sheltering trees to draw the
sword for country, and returned white wraiths of their vigorous youth,
the sad vanguard of that great army of blessed martyrs who shall keep
forever in the mind of this generation how costly and precious a thing
is liberty, who shall lift our worldly age out of the plough of its
material prosperity into the sublimity of suffering and sacrifice,--from
suggestions and fancies and dreamy musing and "phantasms sweet," into
the hall, where, for flower-scented summer air were thick clouds of
fine, penetrating dust, and for lightly trooping fairies a jam of heated
human beings, so that you shall hardly come nigh the dancers for the
press; and when you have, with difficulty and many contortions and much
apologizing, threaded the solid mass, piercing through the forest of
fans,--what? An inclosure, but no more illusion.
Waltzing is a profane and vicious dance. Always. When it is prosecuted
in the centre of a great crowd, in a dusty hall, on a warm midsummer
day, it is also a disgusting dance. Night is its only appropriate time.
The blinding, dazzling gas-light throws a grateful glare over the
salient points of its indecency, and blends the whole into a wild whirl
that dizzies and dazes one; but the uncompromising afternoon, pouring in
through manifold windows, tears away every illusion, and reveals the
whole coarseness and commonness and all the repulsive details of this
most alien and unmaidenly revel. The very _pose_ of the dance is
profanity. Attitudes which are the instinctive expression of intimate
emotions, glowing rosy-red in the auroral time of tenderness, and
justified in unabashed freedom only by a long and faithful habitude of
unselfish devotion, are here openly, deliberately, and carelessly
assumed by people who have but a casual and partial
society-acquaintance. This I reckon profanity. This is levity the most
culpable. This is a guilty and wanton waste of delicacy.
That it is practised by good girls and tolerated by good mothers does
not prove that it is good. Custom blunts the edge of many perceptions. A
good thing soiled may be redeemed by good people; but waltz as many as
you may, spotless maidens, you will only smut yourselves, and not
cleanse the waltz. It is of itself unclean.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account