There were, besides, peculiar _desagrements_ on this occasion. How can people,--I could not help saying to myself,--how can people endure such proximity in such a sweltering heat? For, as I said, there was no illusion,--not a particle. It was no Vale of Tempe, with Nymphs and Apollos. The boys were boys, appallingly young, full of healthful promise, but too much in the husk for exhibition, and not entirely at ease in their situation,--indeed, very much _not_ at ease,--unmistakably warm, nervous, and uncomfortable. The girls were pretty enough girls, I dare say, under ordinary circumstances,--one was really lovely, with soft cheeks, long eyelashes, eyes deep and liquid, and Tasso's gold in her hair, though of a bad figure, ill set off by a bad dress,--but Venus herself could not have been seen to advantage in such evil plight as they, panting, perspiring, ruffled, frowsy,--puff-balls revolving through an atmosphere of dust,--a maze of steaming, reeking human couples, inhumanly heated and simmering together with a more than Spartan fortitude. It was remarkable, and at the same time amusing, to observe the difference in the demeanor of the two sexes. The lions and the fawns seemed to have changed hearts,--perhaps they had. It was the boys that were nervous. The girls were unquailing. The boys were, however, heroic. They tried bravely to hide the fox and his gnawings; but traces were visible. They made desperate feint of being at the height of enjoyment and unconscious of spectators; but they had much modesty, for all that. The girls threw themselves into it _pugnis et calcibus_,--unshrinking, indefatigable. There is another thing which girls and their mothers do not seem to consider. The present mode of dress renders waltzing almost as objectionable in a large room as the boldest feats of a French ballet-dancer. Not to put too fine a point on it, I mean that these girls' gyrations in the centre of their gyrating and centrifugal hoops make a most operatic drapery-display. I saw scores and scores of public waltzing-girls last summer, and among them all I saw but one who understood the art, or, at any rate, who practised the art, of avoiding an indecent exposure. In the glare and glamour of gas-light it is only flash and clouds and indistinctness. In the broad and honest daylight, it is not. Do I shock ears polite? I trust so. If the saying of shocking things might prevent the doing of shocking things, I should be well content. And is it an unpardonable sin for me to sit alone in my own room and write about what you go into a great hall, before hundreds of strange men and women, and do?