The Atlantic Monthly, Volume 12, No. 70, August, 1863: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 12, No. 70, August, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
"Presently Sizzum appeared. He had taken time to tone down the pioneer
and develop the deacon in his style, and a very sleek personage he had
made of himself. He was clean shaved: clean shaving is a favorite
coxcombry of the deacon class. His long black hair, growing rank from a
muddy skin, was sleekly put behind his ears. A large white blossom of
cravat expanded under his nude, beefy chin, and he wore a black
dress-coat, creased with its recent packing. Except that his pantaloons
were thrust into boots with the maker's name (Abel Gushing, Lynn, Mass.)
stamped in gold on a scarlet morocco shield in front, he was in correct
go-to-meetin' costume,--a Chadband of the Plains."
When you see one of these men, you will know him again. Winthrop has
sketched these rascals with a few touches, as felicitous as any of
Dickens's, and they will bear his mark forever: _T.W. fecit._
As for Jake Shamberlain, with his odd mixture of many religious and
irreligious dialects, what there is of him is as good as Sam Weller or
Mrs. Poyser.
"'Hillo, Shamberlain!' hailed Brent, riding up to the train.
"'Howdydo? Howdydo? No swap!' responded Jake, after the Indian fashion.
'Bung my eyes, ef you're not the mate of all mates I'm glad to see! Pax
vobiscrum, my filly! You look as fresh as an Aperel shad. Praised be the
Lord,' continued he, relapsing into Mormon slang, 'who has sent thee
again, like a brand from the burning, to fall into paths of pleasantness
with the Saints, as they wander from the Promised Land to the mean
section where the low-lived Gentiles ripen their souls for hell!'"
Or Jake's droll commentary on the story of Old Bridger, ousted from his
fort, and robbed of his goods, by the Saints, in the name of the Prophet
Brigham.
"'It's olluz so,' says Jake; 'Paul plants, and Apollyon gets the
increase. Not that Bridger's like Paul, any more 'n we're like Apollyon;
but we're goan to have all the cider off his apple-trees.'"
Or, again, Jake's compliments to "Armstrong of Oregon," that galloping
Vigilant Committee of one.
"I'll help you, if I know how, Armstrong. I ha'n't seen no two in my
life, Old Country or New Country, Saints or Gentiles, as I'd do more for
'n you and your brother. I've olluz said, ef the world was chock full of
Armstrongs, Paradise wouldn't pay, and Abraham, Isaac, and Jacob mout
just as well blow out their candle and go under a bushel-basket,--unless
a half-bushel would kiver 'em."
But the true hero of the book is the horse Don Fulano. It is easy to see
that Winthrop was a first-rate horseman, from the loving manner in which
he describes and dwells on the perfections of the matchless stallion.
None but one who knew every point of a horse, none but one of the
Centaur breed, could have drawn Don Fulano,--just as none but a born
skater could have written those inimitable skating-scenes in his story
of "Love and Skates."
Public-domain text, read in full here on John Shaqi.
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