The Atlantic Monthly, Volume 13, No. 76, February, 1864: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 13, No. 76, February, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
Produced by Cornell University, Joshua Hutchinson, Josephine Paolucci
and the Online Distributed Proofreading Team.
[Transcriber's note: Footnotes moved to end of document.]
THE
ATLANTIC MONTHLY.
A MAGAZINE OF LITERATURE, ART, AND POLITICS.
VOL. XIII.--FEBRUARY, 1864.--NO. LXXVI
Entered according to Act of Congress, in the year 1864, by Ticknor and
Fields, in the Clerk's Office of the District Court of the District of
Massachusetts.
* * * * *
GENIUS.
When Paul Morphy plays seven games of chess at once and blindfold, when
young Colburn gives _impromptu_ solution to a mathematical problem
involving fifty-six figures, we are struck with hopeless wonder: such
power is separated by the very extent of it from our mental operations.
But when we further observe that these feats are attended by little or
no fatigue,--that this is the play, not the tension of faculty, we
recognize a new kind, not merely a new degree, of intelligence. These
men seem to leap, not labor step by step, to their results. Colburn sees
the complication of values, Morphy that of moves, as we see the relation
of two and two. What is multiform and puzzling to us is simple to them,
as the universe lies rounded and is one thought in the Original Mind. We
seek in vain for the secret of this mastery. It is private,--as deeply
hidden from those who have as from those who have it not. They cannot
think otherwise than so, and to this exercise have been provoked by
every influence in life. The boy who is an organized arithmetic and
geometry will count all the hills of potatoes and reckon the kernels of
corn in a bushel, and his triangles soon begin to cover the barn-door.
He sees nothing but number and dimension; he feeds on these, another
fellow on apples and nuts. But his brother loves application of force,
builds wheels and mills; his head is full of cogs and levers and
eccentrics; and after he has gone out to his engineering in the great
machine-shop of a modern world, the old corn-chamber at home is lumbered
with his mysterious contrivances, studies for a self-impelling or
gravitating machine and perpetual motion. Another boy is fired with the
mystery of form. He will draw the cat and dog; his chalk and charcoal
are on all our elbows; he carves a ram's head on his bat, an eagle on a
walking-stick, perches a cock on top of the barn, puts an eye and a nose
to every triangle of the geometer, and paints faces on the wheels of his
mechanical brother. In all these boys there is something more than
ability; there is propensity, an attraction irresistible. Their minds
run, we say, in that direction, and they creep or lie still, if turned
in another. The young shepherd will toss eggs, spin platters, and
balance knives, year after year, in solitude, with a patient energy and
endurance able to command any fortune.
Public-domain text, read in full here on John Shaqi.
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