From this security in the lap of Nature, this nest in the grass, we rise easily to every height. Gladness becomes uncontainable, a pain of fulness, for which, after all effort, there is no complete relief; for language breaks under it in delivery, and Art falls to the ground. The psalm of David, the statue of Angelo, the chorus of Handel, are inarticulate cries. These men have not justified to us their confidence. It will be shared, not justified. They have divined what they cannot orderly publish, and their meaning will be by the same greatness divined again. The work of such men remains a haunting, commanding enigma to following ages. They do but repeat the promise and obscurity of Nature, for she herself has the same largeness, is such another _raptus_, proceeding to no end, but to a circle or complexity of ends. Men are again and again divided over the images of Paul, of Plato, of Dante, unable to escape from their authority, more unable to give them final interpretation. They leave Nature, to puzzle over the inexhaustible book. What does it mean? What does it not mean? The poet will never wait till he can demonstrate and explain. He must hasten to convey a blessing greater than explanation, to publish, if it were only by broken hints, by signs and dumb pointing, his sense of a presence not to be comprehended or named. For, if the seer is sustained, he is also commanded by what he sees. Genius is not religious, but religion, an opening to the conscience of the universe no less than to the joy. From this original the moral, intellectual, and aesthetic sense will each derive a conscience, and rule with equal sovereignty the man. Through an ant or an angel the first influx of reality is entertained in an attitude of worship, and the poet, in his vision, cries with Virgil to Dante:-- "Down, down, bend low Thy knees! behold God's angel! fold thy hands! Henceforward shalt thou see true ministers!"