The Atlantic Monthly, Volume 13, No. 80, June, 1864: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 13, No. 80, June, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
But if her spirits were damped, her good-humor threatened, it was for a
minute only. Upon completing our rapid survey of my lord's parlor, and
looking round for the guide who should conduct us farther, she had
become invisible. So we moved on without her, and commenced exploring a
narrow passage with a certain sense of bewilderment at its loneliness,
and the doubt whither it might lead, when, suddenly, we were startled by
a merry laugh, which seemed to ring through the air directly above our
heads. Was it a mocking spirit that haunted the place? or one of the old
figures on the tapestry, started into life? We looked up, and there, on
a rough platform of pine boards, projecting from the wall, stood our
Fenella. She was leaning over the shoulder of an artist-boy, who, seated
at his easel, was copying one of the Gorgon-heads that stood out on the
faded tapestry. She had dismissed us wholly from her thoughts, and,
giving play to her native fun and coquetry, was taunting the youth with
the slowness of his labors and the little progress he had made since she
last inspected his work. No wonder that she laughed at the taste of the
boy or his employer. Graver heads than hers might question the motive
which had set the painter such a model. Imagination suggested that some
elfin godmother must have prescribed the task as a condition of her
future favor. At all events, the malicious sprite now acting as overseer
felt a sense of triumph in this captive boy, perched against the wall,
and condemned, like herself, to reproduce the past and bring out in
fresh colors the staring eyes and mummied cheeks which would otherwise
soon be lost to memory. She certainly made the most of her opportunity
to taunt and tease him, for there was time for a laugh and a word of
raillery only, to which he seemed too shamefaced to respond, before she
was at our side again, gravely announcing, "My lady's chamber!"--and as
we looked around the apartment, whose furniture and decorations imparted
to it a superior air of neatness and refinement to that observable
elsewhere, she pointed out to us a private doorway, conducting to a
flight of steps, and affording an exit by which "my lady" had easy
access to the court-yard, and thence to the chapel where she performed
her devotions.
"And what are the rooms opposite?" we asked, pointing to a long row of
windows on the second floor, on the opposite side of the quadrangle to
that of which we had now completed the inspection.
"Those rooms are never shown," was the mysterious answer.
"But you will show them to _us_" (spoken coaxingly).
She shook her head, and sealed her lips, with an expression of
determination.
"What is in them?"
"Oh, nothing in particular."
"Then we might see them."
No encouragement, but, on the contrary, a resolute negative.
Public-domain text, read in full here on John Shaqi.
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