The Atlantic Monthly, Volume 13, No. 80, June, 1864: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 13, No. 80, June, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
In April we left Oaklands, which had always been considered a
particularly unhealthy place during the summer, and came to "Seaside," a
plantation on another and healthier part of the island. The place
contains nearly a hundred people. The house is large and comparatively
comfortable. Notwithstanding the name, we have not even a distant
glimpse of the sea, although we can sometimes hear its roar. At low tide
there is not a drop of water to be seen,--only dreary stretches of
marsh-land, reminding us of the sad outlook of Mariana in the Moated
Grange,--
"The level waste and rounding gray."
But at night we have generally a good sea-breeze, and during the hottest
weather the air is purer and more invigorating than in many parts of the
island.
On this, as on several other large plantations, there is a
"Praise-House," which is the special property of the people. Even in the
old days of Slavery, they were allowed to hold meetings here; and they
still keep up the custom. They assemble on several nights of the week,
and on Sunday afternoons. First, they hold what is called the
"Praise-Meeting," which consists of singing, praying, and preaching. We
have heard some of the old negro preachers make prayers that were really
beautiful and touching. In these meetings they sing only the
church-hymns which the Northern ministers have taught them, and which
are far less suited to their voices than their own. At the close of the
Praise-Meeting they all shake hands with each other in the most solemn
manner. Afterward, as a kind of appendix, they have a grand "shout,"
during which they sing their own hymns. Maurice, an old blind man, leads
the singing. He has a remarkable voice, and sings with the greatest
enthusiasm. The first shout that we witnessed in the Praise-House
impressed us very much. The large, gloomy room, with its blackened
walls,--the wild, whirling dance of the shouters,--the crowd of dark,
eager faces gathered around,--the figure of the old blind man, whose
excitement could hardly be controlled, and whose attitude and gestures
while singing were very fine,--and over all, the red glare of the
burning pine-knot, which shed a circle of light around it, but only
seemed to deepen and darken the shadows in the other parts of the
room,--these all formed a wild, strange, and deeply impressive picture,
not soon to be forgotten.
Maurice's especial favorite is one of the grandest hymns that we have
yet heard:--
"De tallest tree in Paradise
De Christian calls de Tree ob Life,
An' I hope dat trumpet blow me home
To my New Jerusalem.
CHORUS.
"Blow, Gabriel! trumpet, blow louder, louder!
An' I hope dat trumpet blow me home
To my New Jerusalem!
"Paul and Silas jail-bound
Sing God's praise both night and day,
An' I hope dat trumpet blow me home
To my New Jerusalem.
CHORUS.
Public-domain text, read in full here on John Shaqi.
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