The Atlantic Monthly, Volume 14, No. 85, November, 1864: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 14, No. 85, November, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
Thrice a day we go to the plantation-houses for our meals,
camp-arrangements being yet very imperfect. The officers board in
different messes, the adjutant and I still clinging to the household of
William Washington,--William the quiet and the courteous, the pattern of
house-servants, William the noiseless, the observing, the
discriminating, who knows everything that can be got and how to cook it.
William and his tidy, lady-like little spouse Hetty--a pair of wedded
lovers, if ever I saw one--set our table in their one room, half-way
between an unglazed window and a large wood-fire, such as is often
welcome. Thanks to the adjutant, we are provided with the social
magnificence of napkins; while (lest pride take too high a flight) our
table-cloth consists of two "New York Tribunes" and a "Leslie's
Pictorial." Every steamer brings us a clean table-cloth. Here are we
forever supplied with pork and oysters and sweet-potatoes and rice and
hominy and corn-bread and milk; also mysterious griddle-cakes of
corn and pumpkin; also preserves made of pumpkin-chips, and other
fanciful productions of Ethiop art. Mr. E. promised the
plantation-superintendents who should come down here "all the luxuries
of home," and we certainly have much apparent, if little real variety.
Once William produced with some palpitation something fricasseed, which
he boldly termed chicken; it was very small, and seemed in some
undeveloped condition of ante-natal toughness. After the meal, he
frankly avowed it for squirrel.
_December 5, 1862._
Give these people their tongues, their feet, and their leisure, and they
are happy. At every twilight the air is full of singing, talking, and
clapping of hands in unison. One of their favorite songs is full of
plaintive cadences; it is not, I think, a Methodist tune, and I wonder
where they obtained a chant of such beauty.
"I can't stay behind, my Lord, I can't stay behind!
Oh, my father is gone, my father is gone,
My father is gone into heaven, my Lord!
I can't stay behind!
Dere's room enough, room enough,
Room enough in de heaven for de sojer:
Can't stay behind!"
It always excites them to have us looking on, yet they sing these songs
at all times and seasons. I have heard this very song dimly droning on
near midnight, and, tracing it into the recesses of a cook-house, have
found an old fellow coiled away among the pots and provisions, chanting
away with his "Can't stay behind, sinner," till I made him leave his
song behind.
Public-domain text, read in full here on John Shaqi.
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